Suchergebnisse
Suchergebnisse:
It's Got to Be Funky. It's Got to Be Funky is an album by jazz pianist Horace Silver, his first release on the Columbia label since Silver's Blue (1956), featuring performances by Silver with Oscar Brashear, Ron Stout, Bob Summers, Bob McChesney, Maurice Spears, Suzette Moriarty, Eddie Harris, Branford Marsalis, Red Holloway, Bob ...
Bey setzte in den 1990er Jahren seine Zusammenarbeit mit Silver fort; so wirkte er 1993 auf dessen Columbia-Album It's Got to Be Funky mit. Von da an kehrte Bey wieder zu einer am Hardbop-Mainstream orientierten Musik zurück und hatte damit mehr Resonanz beim Publikum. 1991 wirkte Bey als Gastsänger an David Murrays Big-Band ...
Andrew W. Bey (born October 28, 1939) is an American jazz singer and pianist. Bey has a wide vocal range, with a four- octave baritone voice. Raised in Newark, New Jersey, [1] Bey attended Newark Arts High School. [2] Career. He worked on the 1959/1960 television show Startime with Connie Francis, and sang for Louis Jordan.
Bey continued to work with Silver into the 1990s, when he was featured on Silver’s 1993 Columbia date It’s Got to Be Funky (which marked a return to hard bop’s mainstream and did much better commercially than his “self-help music”). Labels Bey recorded for as a leader in the 1980s and 1990s included Jazzette, Zagreb, and Evidence ...
That Healin' Feelin' (subtitled The United States of Mind Phase 1) is an album by jazz pianist Horace Silver released on the Blue Note label in 1970, featuring performances by Silver with Randy Brecker, George Coleman, Houston Person, Bob Cranshaw, Jimmy Lewis, Mickey Roker and Idris Muhammad with vocals by Andy Bey, Gail Nelson and Jackie Verde...
It's Got To Be Funky - Horace Silver. johnnystaccata. 10.1K subscribers. Subscribe. 1.2K views 4 years ago. Andy Bey - v アンディ・ベイ Red Holloway - ts レッド・ホロウェイ Eddie ...
- 7 Min.
- 1274
- johnnystaccata
28. Okt. 2020 · Jazz singer and pianist Andy Bey was born in Newark, New Jersey, on October 28, 1939. Openly gay and HIV-positive, Bey has remained under the mainstream radar while his 4-octave vocal range and masterful interpretation of lyrics have earned him the respect of jazz legends like John Coltrane, Max Roach, and Duke Pearson.