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Phillips, who at the time was hustling tapes to various companies, sensed a two-artists-in-one-session opportunity, and presented the results to Chess Records as one single by Ike Turner and his Kings of Rhythm and another by Jackie Brenston and his Delta Cats. It was Brenston’s disc that took off, reaching No. 1 on the R&B charts (Chess Records’ first chart-topper), and motivating ...
Jackie Brenston discography and songs: Music profile for Jackie Brenston, born 15 August 1930. Genres: Rhythm & Blues, Jump Blues, Rock & Roll. Albums include Rocket "88" / Come Back Where You Belong, Loud, Fast & Out of Control: The Wild Sounds of '50s Rock, and Martin Scorsese Presents the Blues: A Musical Journey.
17. Sept. 2020 · Provided to YouTube by Universal Music GroupMy Real Gone Rocket · Jackie Brenston & His Delta CatsThe Chess Story 1947-1956℗ A Geffen Records Release; ℗ 1951...
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- Jackie Brenston & His Delta Cats - Topic
4. Okt. 2014 · Provided to YouTube by The Orchard EnterprisesRocket 88 · Jackie BrenstonSun Records Story - Disc Three℗ 2002 Charly RecordsReleased on: 2009-02-04Music Publ...
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- Jackie Brenston - Topic
Jackie Brenston’s Rocket “88”. Rocket “88” is considered by many historians to be the 1st Rock & Roll song. The elements which are considered rock ‘n’ roll include; it’ a song is about a car (Oldsmobile Rocket 88), it’s rockin’ sax solo, and it’s signature dirty guitar riff. The dirty guitar sound was caused by their amp ...
“Rocket 88” was a lively new number recorded by Jackie Brenston & The Delta Cats, who in reality were Ike Turner’s band The Kings of Rhythm, where Brenston was the saxophone player, with the song being being penned by both Brenston and Turner, though Turner was not initially given due credits. The song regarded the Oldsmobile model Rocket ...
Determining the first actual rock & roll record is a truly impossible task. But you can't go too far wrong citing Jackie Brenston's 1951 Chess waxing of "Rocket 88," a seminal piece of rock's fascinating history with all the prerequisite elements firmly in place: practically indecipherable lyrics about cars, booze, and women; Raymond Hill's booting tenor sax, and a churning, beat-heavy ...
