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  1. Jacqueline Roque wurde 1927 geboren. Nach ihrer ersten Heirat mit dem Ingenieur André Hutin und der Geburt ihrer Tochter Catherine Hutin-Blay lernte sie im Jahr 1953 Pablo Picasso kennen, dessen Trennung von Françoise Gilot und den gemeinsamen Kindern Claude und Paloma bevorstand. Als Jacqueline Picasso kennenlernte, war sie ...

  2. 1953 lernt die Keramikverkäuferin Jacqueline Roque den Maler Pablo Picasso kennen. 1961 wird sie seine zweite Ehefrau und bis zu Picassos Tod 1973 sein am häufigsten dargestelltes Modell. 13 ...

  3. Jacqueline Picasso or Jacqueline Roque (24 February 1927 – 15 October 1986) was the muse and second wife of Pablo Picasso. Their marriage lasted 12 years until his death, during which time he created over 400 portraits of her, more than any of Picasso's other lovers. [1]

  4. Jacqueline Roque travaille chez Madoura, le céramiste avec lequel Picasso collabore depuis 1946. Elle incarne aux yeux de l'artiste vieillissant la beauté parfaite des femmes espagnoles, celles aux mantilles de son enfance. Ils se marient en 1961 à Vallauris, et Jacqueline veille sur les dernières années de Picasso, jusqu'à sa mort en 1973.

  5. Jacqueline Roque remained with Picasso until his death in 1973 and was the most featured woman across his artwork. The circumstances surrounding their meeting were not traditional, with Picasso becoming entangled with Roque while he was still with Françoise Gilot, the mother of his two children. Jacqueline’s relationship to Picasso is described by William Rubin, (cited in

  6. Jacqueline. When Jacqueline Roque (1927–1986) appeared in Picasso’s life in 1952 she instilled a new creativity in his work and her image soon became a constant presence in his production. Jacqueline, whom he married in 1961, did not only inspire some two hundred portraits (paintings, drawings, prints and sculptures) but her spirit imbued ...

  7. Jacqueline Roque In 1953 Picasso met Jacqueline Roque in a ceramic workshop Madoura Pottery. She was his last beloved, the last muse, the most loyal and fanatic admirer of his talent. When their romantic relationship began, Jacqueline turned from an assistant in a workshop into Picasso’s model. He devoted more pictures to that woman than to ...

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