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25. Apr. 2024 · Deconstruction is a form of analysis that challenges the binary oppositions in Western philosophy and literature. Learn about its origin, main concepts, and applications from Jacques Derrida and other scholars.
- The Editors of Encyclopaedia Britannica
2. Mai 2024 · Gegen den Strich gelesen: Jacques Derrida. Stefan Blankertz. 2.05.24. Die Rede von der «Postmoderne», in welcher wir uns befänden, dient vielen Gegnern des herrschenden Mainstreams als rotes Tuch, und Jacques Derrida (1930–2004) als der Prophet der Postmoderne wird mit all dem assoziiert, was die Postmoderne auszumachen scheint ...
3. Mai 2024 · In 1993, Jacques Derrida presented a paper entitled “Specters of Marx: The State of the Debt, the Work of Mourning, and the New International.” Later turned into a book of the same name, Specters represents a part of what some have called an “ethical turn” in the philosopher’s work.
Vor 3 Tagen · Caterina Resta continues the exploration of Derrida on life in “Life Death: Jacques Derrida’s Bio-thanato-politics.” The paper begins with ways in which Foucault sets up a biopolitics of power over life and death, but with Derrida less inclined to a specific theory of power over life. Resta’s arguments continue with Derrida’s commentary on Sigmund Freud’s view of life and death in ...
Vor 2 Tagen · Twenty years have passed since Jacques Derrida’s death, yet his profound philosophical contributions to the Critical Legal Studies movement in both the UK and the US continue to reverberate. His concept of deconstruction, which challenges traditional philosophical dichotomies and concepts through meticulous analysis of language and reason, has been a driving force for numerous Critical Legal ...
30. Apr. 2024 · Keywords: Jacques Derrida, film theory, deconstruction, the uncanny, ghosts, film and media studies, testimony, belief, psychoanalysis, scientific knowledge Subject Literary Theory and Cultural Studies
30. Apr. 2024 · 22–62. Published: April 2024. Split View. Annotate. Cite. Permissions. Share. Abstract. Chapter 1 investigates the legacy of Derrida’s work and deconstruction within film theory and the recurrent, if overlooked, figure of cinema in his oeuvre.
