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  1. Suchergebnisse:
  1. Acoustic Guitar – James House, Richard Bennett. Art Direction, Design – Katherine DeVault. Backing Vocals – Harry Stinson, James House, Kostas (2), Lea Jane Berinati, Russell Smith (5), Vince Gill. Bass – Michael Rhodes. Coordinator [Project] – Jessie Noble. Drums – Harry Stinson. Edited By [Digital] – Milan Bogdan. Electric Guitar – Steuart Smith.

    • (2)
    • US
    • 11
    • CD, Album
  2. Richard Bennett — acoustic guitar; Steve Fishell — steel guitar (except "Hard Times for an Honest Man") Paul Franklin — steel guitar on "Hard Times for an Honest Man" Vince Gill — background vocals; Glen Hardin — piano; James House — acoustic guitar, lead vocals, background vocals; David Hungate — bass guitar on "Hard ...

    • 1990
    • MCA
  3. James House: Hard Times for an Honest Man (1990) Acoustic Guitar: James House: James House (1989) Thelma Houston (1973) Jack Ingram: Hey You (1999) Guitar, Producer: Jack Ingram: Electric (2002) Acoustic Guitar: Tommy Lee James (1992) Duane Jarvis: Certified Miracle (2001) Electric, Electric 12-String Guitar: John Jarvis: Pure Contours (1990 ...

  4. Richard Bennett — acoustic guitar. Chris Camp — electric guitar. Paul Franklin — steel guitar, Pedabro. Vince Gill — background vocals. Glen D. Hardin — piano. James House — lead vocals, background vocals, acoustic guitar. David Hungate — bass guitar. Mac McAnally — background vocals. Steuart Smith — electric guitar.

  5. Acoustic Guitar, Vocals – James House; Art Direction – Simon Levy; Bass Guitar – David Hungate; Design – Bill Brunt Designs; Drums, Backing Vocals – Harry Stinson; Electric Guitar, Acoustic Guitar – Richard Bennett; Engineer – Julian King, Marty Williams (2), Russ Martin, Tim Kish; Mastered By – Glenn Meadows; Mixed By – John ...

    • (2)
    • US
    • 16
    • CD, Album
  6. Sir Richard Rodney Bennett CBE (29 March 1936 – 24 December 2012) was an English composer of film, TV and concert music, and also a jazz pianist and occasional vocalist. He was based in New York City from 1979 until his death there in 2012.

  7. He was very subdued backstage and somewhat disengaged. Marty asked him if he was alright and Earl said, "I'm saving it for the show." He certainly was. When he was introduced he strode onstage like a man 50 years younger and played the house down. Richard Bennett 03/04/2012 You can find info written by Peter Cooper in The Tennessean here and here