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  1. 4. Nov. 2019 · For English subtitles, please click on CC at the bottom of the video picture.Jean Eustache, Françoise Lebrun, Jean-Pierre Léaud and Bernadette Lafont discuss...

    • 10 Min.
    • 12,4K
    • lachambreverte
  2. 23. Dez. 1973 · Jean Eustache, 35 Jahre alt, ist ein mißvergnügter Cinéast, der die meisten Filme zum Kotzen findet, weil sie sich zuwenig Zeit lassen, nur auf Wirkungen aus sind.

  3. The Mother and the Whore (Jean Eustache, 1973).. Jean Eustache orbited the world of criticism without ever fully falling into it. His intellectual biographer, Alain Philippon, describes him as a marginal figure at Cahiers du Cinéma in the 1960s and yet actively involved in the debates unfolding in its offices. 1 Though Eustache was close with future Cahiers editor-in-chief Jean-Louis Comolli ...

  4. 13. Juli 2023 · Tickets. Film at Lincoln Center and Janus Films present “The Dirty Stories of Jean Eustache,” a 12-film retrospective of the director’s work, from July 7–13. A 4K restoration of Eustache’s The Mother and the Whore will have a three-week theatrical run at Film at Lincoln Center June 23–July 13. Tickets are now on sale!

  5. 26. Juni 2023 · Jean Eustache’s “The Mother and the Whore,” a 1973 French film that is now being revived in a new 4K restoration, is a work of strange, ineffable power, a power unlike that of any other film I know. One can emerge from other masterpieces dazzled, intellectually, or emotionally ravished, but this legendary cinematic landmark is apt to leave its most fervent admirers feeling something else ...

  6. 29. Apr. 2017 · Emission spéciale consacrée à Jean Eustache. Samedi 29 avril 2017. écouter ( 59 min) La Maman et la Putain de Jean Eustache avec Jean-Pierre Léaud, Françoise Lebrun et Bernadette Lafont - Jean Eustache. Publicité. Publicité. Publicité. Provenant du podcast Plan large. Contacter l'émission.

  7. www.artforum.com › columns › jean-eustaches-erotics-ofBAD COMPANY - artforum.com

    5. Juli 2023 · Jean Eustache, La rosière de Pessac (The Virgin of Pessac), 1979, 25 mm, color, sound, 67 minutes. His conservatism was complicated. “Sordid” films like La maman are products of their time, quotidian visions of sexual transgression that decry the very culture that accommodated their existence.