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Jean-Baptiste-Camille Corot (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and ...
让-巴蒂斯特·卡米耶·柯洛. 讓-巴蒂斯特·卡米耶·柯洛 （法語： Jean-Baptiste Camille Corot ， 法语发音： [ʒɑ̃ batist kamij kɔʁo] ；1796年7月16日—1875年2月22日）， 法國 著名的 巴比松派 畫家，也被譽為19世紀最出色的抒情風景畫家。. 畫風自然，樸素，充滿迷矇的空 ...
Jean-Baptiste Camille Corot (* 16. júl 1796, Paríž, Francúzsko – † 22. február 1875, tamže) bol francúzsky maliar - krajinár. Corota občas nazývajú „otcom impresionizmu “. Je pochovaný na cintoríne Père Lachaise .
Jean-Baptiste-Camille Corot, el paisajista más famoso de Francia. Él y el resto de artistas de la escuela de Barbizon fueron los culpables del nacimiento del impresionismo, y por consiguiente, de todo el arte moderno tal y como lo conocemos. Corot nació en París, en una familia acaudalada que le proporcionó una educación burguesa.
Jean-Baptiste-Camille Corot (16 Temmuz 1796 - 22 Şubat 1875), Fransız izlenimci ressam. Corot 19. Yüzyılın ortalarında okulunun önde gelen ressamlarındandı. Manzara resimleri yapan ressamlar arasında kendisi önemli bir figür, eserleri ise neoklasik geleneğe refarans olmuştur. Claude Monet'in onun hakkında "Burada yalnızca tek bir efendi var. Onunla karşılaştırabileceğimiz ...
Maître du paysage, inspirateur des impressionnistes par la pratique du plein air, Jean-Baptiste Camille Corot (1796-1875) a renouvelé le paysagisme classique. Grand voyageur, il a su s’émanciper des doctrines de l’École des beaux-arts (qui promouvait le paysage historique) pour peindre la nature de manière plus directe, en compagnie des jeunes peintres de l’école de Barbizon dont ...
Jean-Baptiste-Camille Corot (Camille Corot for short) was born in Paris on July 16, 1796, in a house at 125 Rue du Bac, now demolished. His family were bourgeois people—his father was a wig maker and his mother a milliner—and unlike the experience of some of his artistic colleagues, throughout his life he never felt the want of money, as his parents made good investments and ran their ...
