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  1. Jeanne Leocadie de Tramcourt (9 December 1875, Tracy-sur-Loire, France – 2 January 1952 in Stjärnhov, Södermanland) was the long term French girlfriend of Prince Wilhelm of Sweden. The couple had a relationship from 1914 until 1952.

  2. Jeanne Leocadie de Tramcourt, född den 9 december 1875 i Tracy-sur-Loire, Frankrike, död den 2 januari 1952 i Flen, Södermanlands län, var en fransk-svensk skådespelare och modist. Hon är känd som sambo till prins Wilhelm .

  3. Jeanne Leocadie de Tramcourt. Birth. 9 Dec 1875. Tracy-sur-Loire, Departement de la Nièvre, Bourgogne, France. Death. 2 Jan 1952 (aged 76) Flen, Flens kommun, Södermanlands län, Sweden. Burial. Flens södra kyrkogård. Flen, Flens kommun, Södermanlands län, Sweden Add to Map. Memorial ID. 219675846. · View Source. Suggest Edits. Memorial. Photos 2.

  4. Jeanne Leocadie de Tramcourt. Skådespelare och modist. Blev 76 år. Född: 1875-12-09 Frankrike, Tracy sur Loire. Död: 1952-01-02 Stjärnhov, Södermanland. Äktenskap med Christian Eriksson (1858 - 1935) Vigsel: 1894. Skilsmässa: 1911. Barn: Kajsa Susanna Eriksson (1896 - ) Matts Eriksson (1905 - ) Elof Eriksson.

  5. Jeanne Leocadie de Tramcourt was the long term French girlfriend of Prince Wilhelm of Sweden. The couple had a relationship from 1914 until 1952. Tramcourt married Swedish sculptor Christian Eriksson in 1894 and divorced him in 1911, and during her marriage was well known within Swedish art circles. Her relationship to Prince Wilhelm started in ...

  6. Start. All Artworks. Jeanne de Tramcourt. by Henry B. Goodwin. Artist Henry B. Goodwin (Sverige, 1878 - 1931) Date 1920. Medium Gelatinsilverfotografi. Dimensions Bildmått: 27 × 23,2 cm. Classification Photography. Credit Line Purchase 1982. Countries. Sweden, Germany. Object NumberFM 1982 006 399. The artwork is not on display.

  7. The portraits of Lill-Tollie Zellman and Jeanne de Tramcourt are of a completely different nature. These photographs are imbued with a peaceful stillness. The women do not address us, the spectators. Rather, their attention is directed inwards as they gaze at themselves in a mirror or turn their eyes away. Here the essence of the elegant 1920s ...