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  1. 23. Apr. 2014 · It took 76 years, but Jim Rooney finally called attention to himself. He did so by writing a memoir called "In It for the Long Run: A Musical Odyssey," out now via University of Illinois Press.

  2. Jim Rooney (born January 28, 1938) is an American music producer whose credits include Nanci Griffith's Other Voices, Other Rooms (which earned Rooney a Grammy Award for production), Hal Ketchum's Past the Point of Rescue, Iris DeMent's Infamous Angel, John Prine's Aimless Love and many other widely hailed albums. In recognition for his contribution to Americana music, Rooney received a ...

  3. Jim Rooney has been involved in music ever since he first appeared on the WCOP “Hayloft Jamboree” as a teenager in Boston in 1954. He has been a musical partner of banjoist Bill Keith for over fifty years and played an important part in the folk revival of the ‘60’s, managing the legendary Club 47 in Cambridge, Mass, and then becoming a Director of and the talent coordinator for the ...

  4. January 28, 1938. Genre. Country. Styles. Americana. Member Of. Explore Jim Rooney's discography including top tracks, albums, and reviews. Learn all about Jim Rooney on AllMusic.

  5. www.wikidata.org › wiki › Q6197849Jim Rooney - Wikidata

    American music producer. This page was last edited on 10 January 2024, at 12:33. All structured data from the main, Property, Lexeme, and EntitySchema namespaces is available under the Creative Commons CC0 License; text in the other namespaces is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.

  6. Jim Rooney (born January 28, 1938) is an American music producer whose credits include Nanci Griffith's Other Voices, Other Rooms (which earned Rooney a Grammy Award for production), Hal Ketchum's Past the Point of Rescue, Iris DeMent's Infamous Angel, John Prine's Aimless Love and many other widely

  7. Jim Rooney is a folksinger. He is a leading member of the generation that came of age during the great folk music revival of the late 50s/early 60s for whom the moniker ‘folksinger’ encompassed not only performing but, like Alan Lomax, Mike Seeger, Paul Clayton, Dave Van Ronk, and others, also included folklore “scholarship” exploring ...