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  1. it.wikipedia.org › wiki › John_HustonJohn Huston - Wikipedia

    John Marcellus Huston (Nevada, 5 agosto 1906 – Middletown, 28 agosto 1987) è stato un regista, attore, sceneggiatore e scrittore statunitense naturalizzato irlandese. È considerato uno dei maestri del cinema hollywoodiano degli anni d'oro [1] [2] .

  2. John Marcellus Huston (August 5, 1906 – August 28, 1987) was an American film director, screenwriter, actor, and visual artist. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City ...

  3. John Huston. Actor: The Treasure of the Sierra Madre. An eccentric rebel of epic proportions, this Hollywood titan reigned supreme as director, screenwriter and character actor in a career that endured over five decades. The ten-time Oscar-nominated legend was born John Marcellus Huston in Nevada, Missouri, on August 5, 1906. His ancestry was English, Scottish, Scots-Irish, distant German and ...

  4. Filmregisseur, Drehbuchautor, Schauspieler : John Huston war einer der bedeutendsten und talentiertesten Filmemacher des Film noir. Bewegt, Rausch, Abbruch, Absturz, Erfolg: John Huston Leben ist ...

  5. www.csfd.cz › tvurce › 2945-john-hustonJohn Huston | ČSFD.cz

    John Huston - a.z. (S02E05) 2010 Embracing Chaos: Making the African Queen - a.z. 2005 Filmaři proti magnátům: 2004 Pelé Eterno - a.z. 2003 Couples et duos de légende du cinéma : John Huston et Humphrey Bogart (TV film) - a.z. Discovering Treasure: The Story of the Treasure of the Sierra Madre - a.z. 2001

  6. ジョン・ヒューストン. ジョン・ヒューストン (John Huston [ˈhjuːstən] 、本名: John Marcellus Huston、 1906年 8月5日 - 1987年 8月28日 )は、 アメリカ合衆国 の 映画監督 ・ 脚本家 ・ 俳優 。.

  7. 10. Juli 2019 · Huston’s shooting style is spare: he would often move on after a single take. 17 He refused to shoot “master scenes,” shots that showed the space and everyone it in; he preferred to let the camera’s eye reveal the relationships in the shot.” 18 He rarely provided editors enough alternative shots to make a movie other than the one he had in mind: “I edit my pictures in the camera.