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  1. 18. Apr. 2024 · One way to examine serial photography could be through John Szarkowski’s Mirror and Windows theory. Szarkowski believed that to understand photography, one must consider “the photographer’s definition of his function” (Szarkowski 11). To him, photographs exist on this continuum between mirrors (a subjective romantic ...

  2. 18. Apr. 2024 · The following notes are made after reading the catalogue for the The Photographer’s Eye exhibition, curated by John Szarkowski for the Museum of Modern Art in New York (Szarkowski, 1966)

  3. 22. Apr. 2024 · The photographs come from a 300-work sub-collection gathered by the late John Szarkowski, longtime head of the photography department at New York’s Museum of Modern Art, in the years following...

  4. 23. Apr. 2024 · In the 1990s, curator John Szarkowski was tapped by PaineWebber’s CEO Donald Marron to amass a collection of photography for the stock brokerage firm’s art holdings. Szarkowski, who died in...

  5. 22. Apr. 2024 · The group of photographs was assembled in the 1990s by John Szarkowski, a photographer, curator, and former director of the department of photography at the Museum of Modern Art in New York. The gift adds important photographs made by a diverse group of artists who worked throughout the United States and in Latin America. It will ...

  6. 23. Apr. 2024 · In 1963 John Szarkowski, the photography curator at the Museum of Modern Art in New York presented Davidson’s pictures in a solo show and he was also the first recipient of a photography grant from the National Endowment for the Arts in 1966.

  7. Vor 4 Tagen · In 1976, the renowned American photographer and curator John Szarkowski wrote: “The world now contains more photographs than bricks, and they are, astonishingly, all different.” To repurpose this sentiment: each Indian studio is astonishingly distinct, housing histories that live beyond the grip of canonising institutions. Enlarging the possibilities of photography’s much-narrated ...