Suchergebnisse
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19. Apr. 2024 · The cinematographer who has won the most Oscars is Joseph Ruttenberg, who won four times for his work on the films The Great Waltz (1938), Mrs. Miniver (1942), Somebody Up There Likes Me (1956), and Gigi (1958).
4. Mai 2024 · Each one commands the screen and justifies this unusual presentation. (This must have been a departure for cinematographer Joseph Ruttenberg, who was just beginning his decades-long career at MGM, where he would go on to win four Oscars.)
4. Mai 2024 · The deep shadows and sharp contrasts of Joseph Ruttenberg’s gothic noir cinematography highlight the extremes of Paula’s emotional distress, driving home the injustice of Gregory’s abuse.
21. Apr. 2024 · RUTTENBERG, Joseph, am. snimatelj podrijetlom iz Rusije (Petrograd /danas Lenjingrad/, 4. VII 1889 — Los Angeles, 1. V 1983). Član A. S. C. U SAD od ranog djetinjstva. Isprva kurir, potom novinar i foto-reporter u Bostonu. Od 1911. snima film. novosti, a 1915. postaje asistent snimatelja u kompaniji Fox; 1926-62. radi za MGM ...
Vor 3 Tagen · cin: Joseph Ruttenberg A remake of my beloved Waterloo Bridge , just shy of ten years after the original. An achingly beautiful romance of doomed love at the outset of WWI, here framed as a flashback experienced by an officer arriving back in London on the eve of WWII, making this the first film we've covered to address the events in Europe.
1. Mai 2024 · Joseph Ruttenberg; Leon Shamroy; Film Music Composition and Songwriting: 9 Alfred Newman, all for Best Original Score; Of note: Alan Menken has won eight awards in musical categories; John Williams has won five awards and holds the record for the most nominations by a living person at 54. Sammy Cahn won four awards, all for Best ...
Vor 5 Stunden · The film won an Academy Award for its black-and-white art direction (Cedric Gibbons, Edward Carfagno, Edwin B. Willis, Hugh Hunt), and was nominated for Best Picture, Brando’s lead performance, Joseph Ruttenberg’s black-and-white cinematography, and Miklos Rozsa’s score. DIRECTED BY: Joseph L. Mankiewicz.
