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  1. en.wikipedia.org › wiki › King_&_QueenKing & Queen - Wikipedia

    King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.

    • 32:53
    • March 16, 1967
    • January 18–24, 1967
    • Soul
  2. Explore the tracklist, credits, statistics, and more for King & Queen by Otis Redding & Carla Thomas. Compare versions and buy on Discogs.

    • (527)
    • Funk / Soul, Blues
    • 299
    • Rhythm & Blues, Soul
  3. 1. März 2022 · March 1, 2022. By. Ian McCann. Otis Redding and Carla Thomas 'King & Queen' cover. While you might be hard-pushed to justify Carla Thomas ’ billing as the Queen Of Soul on King &...

    • Ian Mccann
  4. King & Queen by Otis Redding, Carla Thomas released in 1967. Find album reviews, track lists, credits, awards and more at AllMusic.

    • (205)
  5. Erfahren Sie mehr über Veröffentlichungen, Rezensionen, Mitwirkenden und Lieder von Otis Redding & Carla Thomas - King & Queen auf Discogs. Lesen Sie Rezensionen und informieren Sie sich über beteiligte Personen. Vervollständigen Sie Ihre Otis Redding & Carla Thomas-Sammlung.

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    • 255
  6. en.wikipedia.org › wiki › Carla_ThomasCarla Thomas - Wikipedia

    Carla Venita Thomas (born December 21, 1942) [1] is an American singer, who is often referred to as the Queen of Memphis Soul. She is best known for her 1960s recordings for Atlantic and Stax including the hits "Gee Whiz (Look at His Eyes)" (1960), "B-A-B-Y" (1966) and "Tramp" (1967), a duet with Otis Redding. She is the daughter of Rufus Thomas .

  7. 16. März 2021 · Ian McCann. 16 March 2021. Not so much the King and Queen as they were two complementary aces in Stax’s pack, this superb and endlessly entertaining album from Otis Redding and Carla Thomas reminds us of the soulful side of a year often assumed by rock historians to be all about psychedelia.