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King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by ...
- 32:53
- March 16, 1967
- January 18–24, 1967
- Soul
Explore the tracklist, credits, statistics, and more for King & Queen by Otis Redding & Carla Thomas. Compare versions and buy on Discogs.
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1. März 2022 · March 1, 2022. By. Ian McCann. Otis Redding and Carla Thomas 'King & Queen' cover. While you might be hard-pushed to justify Carla Thomas ’ billing as the Queen Of Soul on King &...
- Ian Mccann
Carla Venita Thomas (* 21. Dezember 1942 in Memphis, Tennessee) ist eine amerikanische Soul sängerin. Sie gilt als die „Queen of Memphis Soul“ (Königin des „Memphis Soul“, auch „ Southern Soul “ genannt). Inhaltsverzeichnis. 1 Leben. 2 Diskografie. 2.1 Studioalben. 2.2 Livealben. 2.3 Kompilationen. 2.4 Singles. 3 Literatur. 4 Weblinks.
JahrTitel AlbumHöchstplatzierung, Gesamtwochen, ...(uk)Höchstplatzierung, Gesamtwochen, ...(us)1961Gee Whiz (Look at His Eyes) Gee Whiz—US 10 (14 Wo.) US1961A Love of My Own Gee Whiz—US 56 (6 Wo.) US1962I’ll Bring It Home to You—US 41 (8 Wo.) US1963What a Fool I’ve Been—US 93 (2 Wo.) USKing & Queen by Otis Redding, Carla Thomas released in 1967. Find album reviews, track lists, credits, awards and more at AllMusic.
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Otis Redding & Carla Thomas – King & Queen. Genre: Funk / Soul, Blues. Stil: Rhythm & Blues, Soul. Jahr: 1967. Trackliste. Knock On Wood. 2:48. Let Me Be Good To You. 2:48. Tramp. 3:00. Tell It Like It Is. 3:13. When Something Is Wrong With My Baby. 3:02. Lovey Dovey. 2:33. New Year's Resolution. 3:14. It Takes Two. 3:03.
16. März 2021 · Ian McCann. 16 March 2021. Not so much the King and Queen as they were two complementary aces in Stax’s pack, this superb and endlessly entertaining album from Otis Redding and Carla Thomas reminds us of the soulful side of a year often assumed by rock historians to be all about psychedelia.
