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Lee Morgan (* 10. Juli 1938 in Philadelphia; † 19. Februar 1972 in New York City) war ein amerikanischer Jazz - Trompeter, der als einer der wichtigsten Exponenten des Hard Bop gilt. Inhaltsverzeichnis. 1 Leben. 2 The Power of Badness. 3 Kommerzieller Erfolg. 4 Die letzten Jahre. 5 Ausgewählte Diskografie. 5.1 Bandleader. 5.2 Sammlungen.
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. [1] [2] [3] One of the key hard bop musicians of the 1960s and a cornerstone of the Blue Note label, [1] Morgan came to prominence in his late teens, recording with bandleaders like John Coltrane, Curtis Fuller, Dizzy Gillespie, Hank ...
11. Okt. 2021 · In his short but eventful life, trumpeter Lee Morgan rocketed to the highest echelons of jazz in double-quick time – playing with and Art Blakey as a teenager and recording with John Coltrane. Stuart Nicholson dives deep into the difficult truths behind this most mercurial of jazz musicians and assesses his legacy today
Biography. A cornerstone of the Blue Note label roster prior to his tragic demise, Lee Morgan was one of hard bop’s greatest trumpeters, and indeed one of the finest of the ’60s. An all-around master of his instrument modeled after Clifford Brown, Morgan boasted an effortless, virtuosic technique and a full, supple, muscular tone that was ...
Lee Morgan (born July 10, 1938, Philadelphia, Pennsylvania, USA - died February 19, 1972, New York City, New York, USA) was an American jazz trumpeter, mainly associated with hard bop. He is known for his work with Dizzy Gillespie, John Coltrane, and Art Blakey & The Jazz Messengers, as well as his 1963 album "The Sidewinder".
18. Apr. 2024 · Lee Morgan was an American jazz improviser-songwriter, a lyric artist, who was the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers. A prolific composer, he used half-modal, half-chord-based harmonic structures. His best-known song was the 1964 hit ‘The Sidewinder.’
19. Okt. 2021 · Oktober 2021, 12:00. Auf der Suche nach Auswegen, mit perfekter Phrasierung: US-Trompeter Lee Morgan, etwa um 1968. Foto: Michael Ochs Archives. Es läutete den Neubeginn einer letztlich nicht zu Ende erzählten Jazzgeschichte ein: Lee Morgan, der Trompeter mit dem schneidend scharfen Spitzenton, betrat 1968 blendend aussehend den ...
