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  1. 18. Jan. 2023 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

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  2. United Artists Records – UA-LA100-G 1. Argentina. 1973. Argentina — 1973. New Submission. Show all 83 versions. Explore the tracklist, credits, statistics, and more for Live And Let Die (Original Motion Picture Soundtrack) by Various. Compare versions and buy on Discogs.

  3. LIVE AND LET DIE – 50 th ANNIVERSARY EXPANDED LIMITED EDITION showcases the film’s iconic music in exhilarating fashion, with improved sound and never-before-released material. Produced by Neil S. Bulk, Disc One of this release showcases the Score Presentation, while a remaster of the original 1973 soundtrack album is housed on Disc Two, along with additional music tracks!

  4. 1. Jan. 1973 · Listen to unlimited or download Live And Let Die (Original Motion Picture Soundtrack/Expanded Edition/Remastered) by George Martin in Hi-Res quality on Qobuz. Subscription from £10.83/month. Subscription from £10.83/month.

  5. Budget. $7 million. Box office. $161.8 million. Live and Let Die is a 1973 spy film. It is the eighth film in the James Bond series produced by Eon Productions, and the first to star Roger Moore as the fictional MI6 agent James Bond. It was directed by Guy Hamilton and produced by Albert R. Broccoli and Harry Saltzman, while Tom Mankiewicz ...

  6. George Martin was best known as the producer of most of the Beatles' recordings from 1962 through 1969. His actual credits were diverse, encompassing artists ranging from 1950s jazz bandleader Humphrey Lyttleton to the comic talents of Peter Sellers and Michael Bentine, legendary vocalists like Ella Fitzgerald, and rock acts as different as Billy J. Kramer & the Dakotas, America, Peter Gabriel ...

  7. George Martin homes in on 007's narcotics booty call with John Barry away on leave. Immediately reunited with Paul McCartney for a sizzling opener, 'Live and Let Die' matches the venom of 'Helter Skelter' with some of McCartney's quasi-romantic leanings Wings had teased out of him; not only the quintessential anthem for Moore era Bond, it proved the adage 'There's no place like home', Martin ...