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  1. Vor 2 Tagen · Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz.

  2. Vor 4 Tagen · Learn about the life and legacy of Louis Armstrong, the most influential jazz musician in history and the earliest and greatest ambassador of America's first true musical art form. Explore his recordings, photos, videos, similar artists and more on All About Jazz.

  3. Vor 4 Tagen · In our previous post, we detailed some of Louis Armstrong’s rare public appearances that took place after his second stint in intensive care in 1969.He hadn’t made any recordings since July 1968, but that all changed on October 23 when Armstrong found himself back in the studio to record “We Have All the Time in the World,” John Barry and Hal David’s new composition for the upcoming ...

  4. Vor 2 Tagen · Als der legendäre Trompeter Louis Armstrong zwischen 1925 und 1928 mit seinen Gruppen Hot Five und Hot Seven musizierte, galten die jeweiligen Bands plötzlich nicht mehr als Sidekick, sondern als gleichberechtigte Mitspieler. Diese erste Revolution im Jazz hat bis heute ihre Spuren hinterlassen. Den großen kollektiven Geist jener Zeit lassen nun die South West Oldtime All Stars aufleben. Am ...

  5. Vor 2 Tagen · The one-person, three-character play takes an intimate, backstage look at Louis Armstrong after one of his final shows. Armstrong records deeply personal reflections on his life throughout the ...

  6. 2. Apr. 2024 · As an iconic jazz musician, Louis Armstrongs rendition of “A Kiss To Build a Dream On” holds a special place in the hearts of music lovers. This timeless classic, composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein II, encapsulates the power of love and the dreams it can inspire.

  7. 2. Apr. 2024 · A 1926 recording of the song by Armstrong and His Hot Five with Alix is now known as one of his most celebrated moments. Satchmo biographer James Lincoln Collier writes: “The most important aspect of this solo, and indeed of Armstrongs playing on the record as a whole, is the air of easy grace with which he carries the melody ...

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