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Vor 4 Tagen · Louise Nevelson stellte Dehner dem Komponisten John Cage vor, dessen Klänge und Theorien diese Arbeiten beeinflussten. Das Werk „Untitled (I Ching)“ hat einen totemischen Charakter und besteht aus dünnen Holzstücken, die in rhythmischen Mustern zusammengefügt wurden. Gegen Ende ihrer Karriere arbeitete Dehner mit Fabrikanten zusammen, um ihre Vision von großformatigen Skulpturen zu ...
Vor 5 Tagen · The World Outside: Louise Nevelson at Midcentury at the Colby College Museum of Art illuminates the artist’s multidimensional command of form and attunement to postwar culture in the United States. It features more than 60 defining artworks by Nevelson (1899-1988), including wall works, installations, drawings, and prints.
Vor 4 Tagen · Lithographs, monotypes, screenprints, color woodcuts, and etchings by Wassily Kandinsky, Joan Miró, Henri Matisse, Rene Magritte, Andre Masson, Henry Moore, Raphael Soyer, Andy Warhol, Robert Indiana, Louise Nevelson, Jim Dine, Keith Haring, among others, are highlighted in this engaging show on view in The Museum’s Works on Paper Gallery ...
Vor 3 Tagen · May 18, 2024 –September 1, 2024. This exhibition highlights small works of art from the collection that make a big impact. Working small allows artists to emphasize minuscule details and focus the viewer’s attention on otherwise unnoticed elements of a scene or object. Tiny artworks encourage close looking and a greater intimacy between the ...
Vor 5 Tagen · The museum remained in operation through 1971, showing many emerging artists of the time including Louise Nevelson, Milton Avery, and Jasper Johns. Eleanor Roosevelt even gave a speech at the...
Vor 4 Tagen · Dorothy Dehner est désormais reconnue comme une sculptrice de premier plan de l’Expressionnisme Abstrait aux côtés de Louise Nevelson, Louise Bourgeois, Herbert Ferber, Ibram Lassaw, David Hare et David Smith. Ses œuvres font partie des collections du Museum of Modern Art, du Whitney Museum of American Art, du Metropolitan Museum of Art ...
Vor 5 Tagen · Dawn’s Column, completed by Louise Nevelson in 1970 and installed in Binghamton’s Government Plaza in 1973, reflects the artist’s commitment to abstraction, her background in constructed sculpture, and her interest in imbuing her art with a sense of spirituality. Nevelson was influenced by the early twentieth century avant-garde art movements of Cubism, Surrealism and Geometric ...
