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Lupe Vélez (nama lahir María Guadalupe Villalobos Vélez; 18 Juli 1908 – 14 Desember 1944) adalah seorang pemeran, penari dan penyanyi Meksiko pada Zaman Keemasan perfilman Hollywood. Vélez memulai karirnya sebagai pementas dalam vaudeville Meksiko pada awal 1920an.
5. Apr. 2021 · On December 14, 1944, Mexican actress Lupe Vélez was found dead in her bed wearing blue satin pajamas, with candles and flowers arranged around her. She had taken 75 pills of the barbiturate Seconal. The four-month pregnant star left behind a suicide note addressed to her boyfriend, Austrian actor Harald Ramond.
), poznatija pod umjetničkim imenom Lupe Vélez, meksička kazališna i filmska glumica, komičarka, plesačica i kabaretistica. Nakon početnog uspjeha u meksičkim vodviljima , obilježila je posljednje desetljeće američkog nijemog filma , a kasnije je svejednako bila uspješna i u hollywoodskim filmovima prve polovice 30-ih godina 20. stoljeća, kao jedna od prvih Latinoamerikanki u ...
19. Juli 2019 · This article analyzes the visual linguistic “accent” of Mexican film actor Lupe Vélez in US English-language fan magazines from 1928 to 1941. The form in which Vélez was quoted in fan magazines, with a Spanish-inflected English (SIE) “accent,” is telling of how language can racialize, exotify, and gender bodies by representing linguistic differences through text. Some visual ...
24. Mai 2023 · What are a few of your favorite films that Lupe Velez appeared in and in what ways do you think she paved the way for other Latina actresses who followed in ...
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3. Aug. 2012 · Lupe Velez: The Life and Career of Hollywood's "Mexican Spitfire". Lupe Velez. : Here is the first extensive, full-length biography and career record on the life and work of Mexican whirlwind Lupe Velez (1908-1944). Over the years many crude myths have surfaced about Velez, the most notorious that she "died with her head in the toilet."
Lupe Vélez’ professional life had certain symmetry with the work of Dolores del Río. In the North American imaginary, both represented the other, the exotic, the foreign, the not-so-fair skinned. However, del Río played a more European or refined version of Mexican, both are regarded as a way to search for an imaginary dialogue with the Southern neighbor with whom, from 1930 to 1944 ...
