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  1. In the Lydian Chromatic Concept of Tonal Organization (1953) George Russell makes the Lydian scale the centre of the tonal system, instead of the traditional major scale. His system was a great inspiration to a whole generation of jazz musicians, who used it to try to expand the language of their improvisations. Let’s see how it works.

  2. Lydian scale because of their practice of "ending their pieces on the flatted-fifth tone of the key of the music." In his Introduction, he states the purpose of his book: The Lydian Chromatic Concept is an organization of tonal re-sources from which the jazz musician may draw to create his improvised lines. It is like an artist's palette: the ...

  3. Lydian Chromatic Concept of Tonal Organization é um livro de teoria musical de jazz lançado em 1953 e escrito por George Russell. A publicação foi o ato fundador do Conceito Lídio Cromático (Lydian Chromatic Concept). A obra de Russell postula que toda música se baseia em gravidades

  4. 3. März 2019 · Lydian Chromatic Concept of Tonal Organisation George Russell explained. The LCC.#lydianchromaticconcept #LCC #Tonalorganisation #GeorgeRussellhttps://jazzi...

  5. 12. Juni 2017 · Nel Lydian Chromatic Concept of Tonal Organization (1953) George Russell mette al centro del sistema tonale la scala lidia, al posto della tradizionale scala maggiore. Il suo sistema è stato di grande stimolo a un’intera generazione di jazzisti, che l’hanno utilizzato per cercare di ampliare il linguaggio delle loro improvvisazioni. Vediamo come funziona.

  6. 12. Aug. 2021 · In George Russell's The Lydian Chromatic Concept of Tonal Organization, he introduces the notion of "horizontal scales": They are horizontal because they include the fourth degree in their structure (B♭ in the F Lydian Chromatic Scale). (p. 17) This is in contrast to vertical scales, which include the Lydian B♮.

  7. El Concepto Cromático Lidio de Organización Tonal (Lydian Chromatic Concept of Tonal Organization) es un libro del compositor, músico y teórico George Russell, editado en 1953. Es considerada la primera obra teórica surgida a partir del jazz. El libro es un texto que analiza, explica y fundamenta la música de jazz, con una organización basada en el sonido de la escala lidia y su ...