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  1. 1:05:56. Label. Malaco Records. Producer. Walter Hawkins. Love Alive IV is a studio album by gospel artist Walter Hawkins and the Family released in 1990 on Malaco Records. It was produced by Hawkins. [1] The album spent ten weeks at No. 1 on the Billboard Top Gospel Albums chart and reached No. 29 on the Billboard Top Christian Albums chart.

  2. Pages in category "Malaco Records singles" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. D. Do the Ricky Bobby; I. I Believe You; L. Let's Straighten It Out; M. Misty Blue; This pag ...

  3. The Supreme Angels was an American traditional black gospel music group from Milwaukee, Wisconsin, United States. The Supreme Angels were formed in 1953 by several young ministers. In the 1960s Reverend Howard "Slim" Hunt of Walnut Grove, Mississippi, joined the group as the guitarist. Having been called to further their ministry, the ministers ...

  4. 23. Mai 2021 · Referred to as “The Last Soul Company," Malaco Records, based in Jackson, Mississippi, has managed to outlast major record label competitors over the past 50 years. The small, mostly unheard-of ...

  5. As a solo artist and leader of the 400-voice Deliverance Mass Choir, Bignon released a string of albums on Atlanta International Records. The earliest AIR releases were How Excellent Is Thy Name (1991) and Use Me (1992). He received a Male Vocalist of the Year nomination from the Stellar Awards for the title track of Heaven Belongs to You (1994 ...

  6. Songwriter, singer. Years active. 1963–2000s. Labels. Prann, Goldwax, Hi, Decca, Fame, MGM, Malaco, Hep Me. George Henry Jackson (March 12, 1945 – April 14, 2013) was an American blues, rhythm & blues, rock and soul songwriter and singer. His prominence was as a prolific and skilled songwriter; he wrote or co-wrote many hit songs for other ...

  7. Little Milton. Little Milton was one of the most important blues artists of the mid- to late 20th century, and he was also one of the major figures in forging the latter-day stylistic hybrid that eventually became known as “soul blues.”. His muscular baritone ascended effortlessly into a churchy wail; his supple string bends echoed T-Bone ...