1992
Suchergebnisse
Suchergebnisse:
The Rolling Stones bassist Bill Wyman, a friend of both Hillman and Stills who visited Criteria during the sessions, was an early fan of the band, at one point expressing an interest in joining.
- 1971–1973
It was here that Bill Wyman of the Rolling Stones played bass on and co-authored "The Love Gangster" and is reported to have said that he would have left the Stones to join Manassas.
DateCityCountryVenue21 March 1972BremenGermanyBeat Club (German TV)22 March 1972AmsterdamNetherlands23 March 1972FrankfurtGermany25 March 1972LondonEnglandBig Beat Club- Late 1971
- April 12, 1972
Bill Wyman ist ein britischer Musiker. Von 1962 bis zu seinem Ausstieg 1993 war er Bassist der Band The Rolling Stones.
Das Kapitel enthält außerdem den Song The Love Gangster, den Stills gemeinsam mit Bill Wyman von den Rolling Stones geschrieben hatte. Wyman ist hier auch am Bass zu hören. Der Song basierte auf dem Titel Bumblebee (Do You Need A Place to Hide?), den Stills erst 2007 auf seinem Album Just Roll Tape - April 26th, 1968 veröffentlichte.
- 12. April 1972
- Atlantic Records
- LP, CD
17. Jan. 2017 · No wonder Bill Wyman, who co-wrote Love Gangster with Stills and played bass for the track, said he'd leave the Stones to join Manassas. Hillman understood why: "We were always more of a band than people thought. Stills wouldn't have been the same without us, that's for sure. Manassas was the best band Stills ever played in."
9. Feb. 2011 · Side Three ended with The Love Gangster (co-written by and featuring Bill Wyman on bass) which rockingly segued into Side Four. The final side of the record (Side Four) was titled “Rock & Roll Is Here to Stay,” and was a rock, funk and blues set that featured the song The Blues Man which was dedicated to (at the time) recently ...
15. Jan. 2023 · There is also a collaboration with Bill Wyman, then bass player for the Rolling Stones. “The Love Gangster,” written by Stills and Wyman has some excellent wah-wah guitar, and Stills’ vocals reach hard. But there’s also strange paranoia in the lyric: one moment he’s talking about how everyone is crazy for his girl; the next ...
