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Vor einem Tag · IMPRESSIONS: Martha Graham Dance Company's "American Legacies" Season at New York City Center (Part 1) IMPRESSIONS: Dancing the 92nd Street Y, a 150th Anniversary Celebration Advertisement • Learn More
Vor 5 Tagen · TBT: Martha Graham, Arthur Murray, and More Share Their Pet Peeves, 1939; Do Grades in BFA Programs Really Matter? Dance Companies and Real Estate Developers Partner on New Spaces; The Paul Taylor Dance Company Revisits Its Radical Roots in a One-Night-Only Performance; How Jack Murphy Helps Actors Move with Intention on “Bridgerton”
Vor 4 Tagen · Additionally, it’s home to a number of major cultural organizations including the New School for Drama, The Martha Graham Center of Contemporary Dance, and Congregation Beth Simchat...
Vor 5 Tagen · TBT: Martha Graham, Arthur Murray, and More Share Their Pet Peeves, 1939. In the May 1939 issue of The American Dancer, a predecessor to Dance Magazine, a handful of well-known dance artists shared “their pet likes and dislikes” for a story titled “Thumbs Up! Thumbs Down!”. Likes included musings on the profession, such as “the girl ...
Vor 5 Tagen · In Modern Dance he trained at the Martha Graham and the Paul Taylor Schools. He has choreographed for Ballet, Musicals, and Opera, and has created many Dance/Theater works including Seeing Red, The Defenders, The BoyKing, Tales of November, The Emperor’s New Clothes and The Happy Hour. He has won the Grand Prize for Choreography for his duet Samael loves Lilith, at the Dance Under the Stars ...
Vor 5 Tagen · Martha Graham's dancers look terrific in the jumble of ancient and recent works that make up Program B at the Joyce. New York City Ballet ends its Fall Digital Season with a festival of new choreography, including works by Justin Peck and Pam Tanowitz. Love Letter (on shuffle) is like a Taylor Swift Track 5.
Vor 4 Tagen · The Limón Dance Company has been at the vanguard of American Modern dance since its inception in 1946. The Company is the living legacy of dance theater developed by José Limón and his mentors, Doris Humphrey and Charles Weidman, whose innovative works revolutionized the American dance.
