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  1. Riesige Auswahl an CDs und LPs. Jetzt ganz einfach online bestellen. Jazzline – Legendäre Konzerte in hervorragender, restaurierter Klangqualität!

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  1. View credits, reviews, tracks and shop for the 1987 CD release of "Masters Of Jazz " on Discogs.

    • 5
    • CD, Compilation, Reissue
    • Europe
    • Storyville-STCD 4103
  2. en.wikipedia.org › wiki › Red_NorvoRed Norvo - Wikipedia

    Compositions. Red Norvo's instrumental compositions include "Dance of the Octopus", "Bughouse" (with Irving Mills and Teddy Wilson), "The Night is Blue", "A Cigarette and a Silhouette", "Congo Blues", "Seein' Red", "Blues in E Flat", "Hole in the Wall", "Knockin' on Wood", "Decca Stomp", "Tomboy", and "1-2-3-4 Jump".

  3. View credits, reviews, tracks and shop for the 1984 Vinyl release of "Master Of Jazz" on Discogs.

    • 15
    • Vinyl, LP, Compilation
    • Scandinavia
    • Storyville-SLP 4103
  4. 29. Juli 2019 · They finally broke up but remained close, even after Red married Eve Rogers, Shorty's sister. In 1943 Red switched to vibes. He was the first of the old Chicagoans, with the possible exception of Dave Tough, to recognize the importance of some things Dizzy, Bird and the rest of the boys from uptown were doing.

    • Steven Cerra
  5. 18. März 2014 · Red Norvo: vibes; Tal Farlow: guitar (CD1#3-4,8); Jimmy Raney: guitar (CD1#1-2, 4-6); Red Mitchell: bass (CD1#1-8); Don Fagerquist: trumpet (CD1#9-20); Conrad Gozzo: trumpet (CD1#9-20); Ollie Mitchell: trumpet (CD1#9-20); Dick Nash: trombone (CD1#9-20); Ray Sims: trombone (CD1#9-20); Gus Bivona, Bus Shank, Eddie Miller, Bill Perkins ...

  6. 6. Apr. 1999 · Red Norvo (born Kenneth Norville; March 31, 1908 – April 6, 1999) was an American musician, one of jazz's early vibraphonists, known as "Mr. Swing". He helped establish the xylophone, marimba, and vibraphone as jazz instruments. His rec ...

  7. Red Norvo: Interview 1. Red Norvo (1908–99) Vibraphonist and xylophonist Red Norvo, born as Joseph Kenneth Norville in Beardstown, Illinois, had a long career in which his instrumental style evolved from early vaudeville playing to the swing music of the 1930s big bands, and finally into a fleet, subtle modern jazz style of small group playing.