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  1. en.wikipedia.org › wiki › Marty_PaichMarty Paich - Wikipedia

    Martin Louis Paich (January 23, 1925 – August 12, 1995) was an American pianist, composer, arranger, record producer, music director, and conductor. As a musician and arranger he worked with jazz musicians Peggy Lee, Ella Fitzgerald, Stan Kenton, Art Pepper, Buddy Rich, Ray Brown, Shorty Rogers, Pete Rugolo, Ray Charles and Mel Tormé. His long association with Tormé included one of the ...

  2. 1. März 1998 · It's a remarkably cohesive, swinging set of first-rate soul jazz, blues and soulful ballads. More Soul starts it all off with a straight-ahead, fun-filled set of seven solid swingers (even "Misty" swings here). Crawford's well-constructed septet features an alto/tenor/baritone/two trumpet frontline.

  3. Released. 1998 — US. CD —. Compilation, Reissue. View credits, reviews, tracks and shop for the 1997 CD release of "Memphis, Ray And A Touch Of Moody" on Discogs.

    • (1)
    • US
    • 12
    • 2 x CD, Compilation
  4. 20. Jan. 2023 · Read Transcript. On this show, we’re examining the work of one of the great jazz arrangers: Marty Paich. Inspired by Miles Davis and Gil Evans, but with a classical-music pedigree, Paich...

  5. * Warner Bros. W 1349 The Modern Touch Of Marty Paich - I Get A Boot Out Of You 1959 = Warner Bros. WS 1349 -= Discovery DS-829 Marty Paich Band Featuring Art Pepper, Jack Sheldon And Victor Feldman - I Get A Boot Out Of You 1981 = Discovery DSCD-962 Marty Paich - Moanin' 1989. Marty Paich And His Jazz Piano Quartet

  6. Memphis, Ray & A Touch of Moody by Hank Crawford released in 1998. Find album reviews, track lists, credits, awards and more at AllMusic.

  7. 20. Jan. 2024 · Marty Paich. One of the best-known arrangers of the post-World War II era, Marty Paich had much stronger jazz credentials than many of his peers, thanks to his active presence on the West Coast scene during the '50s. Paich was born in Oakland, CA, on January 23, 1925; he started out as a pianist, and was performing professionally at age 16.