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Merce Cunningham (* 16. April 1919 in Centralia, Washington; † 26. Juli 2009 in New York City) war ein US-amerikanischer Tänzer und Choreograf. Zu Beginn seiner Karriere wurde er von vielen als sehr talentierter Tänzer angesehen, der aber sein Talent mit gewagten Tanz-Experimenten vergeude.
Merce Cunningham, considered the most influential choreographer of the 20th century, was a many-sided artist. He was a dance-maker, a fierce collaborator, a chance taker, a boundless innovator, a film producer, and a teacher. During his 70 years of creative practice, Cunningham's exploration forever changed the landscape of dance, music, and ...
mercecunningham.org. Merce Cunningham. Mercier Philip " Merce " Cunningham (April 16, 1919 – July 26, 2009) was an American dancer and choreographer who was at the forefront of American modern dance for more than 50 years. He frequently collaborated with artists of other disciplines, including musicians John Cage, David Tudor ...
- 1938–2009
- July 26, 2009 (aged 90), New York City, New York, U.S.
- Mercier Philip Cunningham, April 16, 1919, Centralia, Washington, U.S.
- John Cage
16. Apr. 2019 · Merce Cunningham vor 100 Jahren geboren. Revolutionär der Tanzkunst. Der Choreograf Merce Cunningham in Venedig im Jahr 1995 © Imago/ Leemage/ Marcello Mencarini. Von Vanessa Loewel ·...
12. Apr. 2024 · Merce Cunningham (born April 16, 1919, Centralia, Washington, U.S.—died July 26, 2009, New York, New York) was an American modern dancer and choreographer who developed new forms of abstract dance movement. Cunningham began to study dance at 12 years of age.
- The Editors of Encyclopaedia Britannica
Learn about the life and work of Merce Cunningham, one of the most influential choreographers of all time. Explore his collaborations with John Cage, Robert Rauschenberg, and other artists, his use of chance operations and technology, and his legacy in the arts world.
Merce Cunningham (16. April 1919 - 26. Juli 2009) gilt als einer der wichtigsten Choreografen der Tanzgeschichte. Seine Herangehensweise an die Performance war bahnbrechend in ihrer ideologischen Einfachheit und physischen Komplexität: Er wandte die Idee, „ein Ding ist nur ein Ding“ auf die Choreografie an, nach dem Motto „wenn ein ...
