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  1. Read More. Former actor and comedy writer who began a prolific directing career in 1927. LeRoy did his best work at Warner Bros. in the 1930s, turning out a string of grittily realistic films which reflected the hardships of Depression-era America. His 1930 gangster film, "Little Caesar," launched Edward G. Robinson into stardom and inaugurated ...

  2. Mervyn LeRoy was born on October 15, 1900, into a Jewish family in San Francearlyisco. His childhood was troubled as his mother deserted the family when Mervyn was five, and a year later the large department store in the city which his father owned was destroyed in the 1906 San Francisco earthquake. The family suffered poverty and had to live on charity virtually as refugees. To make money ...

  3. www.allocine.fr › personne › fichepersonne_gen_cpersonne=65992Mervyn LeRoy - AlloCiné

    Mervyn LeRoy est un Réalisateur, Producteur, Acteur américain. Découvrez sa biographie, le détail de ses 37 ans de carrière et toute son actualité

  4. Mervyn Leroy Mervyn Le Roy Cineasta estadounidense Nació el 15 de octubre de 1900 en San Francisco, California., Hijo de Edna Armer y Harry LeRoy. Se crió en el seno de una familia judía dueña de unos grandes almacenes y que se arruinó con el terremoto de 1906. Tuvo distintos empleos, como vender periódicos y cantante. Comenzó trabajando ...

  5. Découvrez tous les films de la filmographie de Mervyn LeRoy. De ses débuts jusqu'à la fin de ses 37 ans de carrière.

  6. 8. Mai 2018 · LITTLE CAESAR (Le Petit César) – Mervyn LeRoy (1931) avec Edward G. Robinson, Douglas Fairbanks Jr., Glenda Farrell. Le film retrace l’histoire de Caesar Enrico Bandello, truand bagarreur ultra-blasé, sans attaches – pour ainsi dire sans ami – et totalement dépourvu d’un quelconque sens de la diplomatie auprès de la pègre locale.

  7. www.theyshootpictures.com › leroymervynTSPDT - Mervyn LeRoy

    Mervyn LeRoy spent virtually all of his long career with two of the leading Hollywood studios, Warner Bros. and MGM. He went about as far as it was possible for a contract director to go during the peak studio years of the 30s and 40s and, when the 50s decline set in, he attempted to continue as an independent producer-director for a time ...