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  1. 7. Mai 2024 · Mitchell Leisen (born October 6, 1898, Menominee, Michigan, U.S.—died October 28, 1974, Los Angeles, California) was an American costume designer, art director, and film and television director. He was considered a “woman’s director” by dint of the affinity he demonstrated for actresses.

    • Michael Barson
  2. 29. Apr. 2024 · Apr 29, 2024. Share. Claudette Colbert in Mitchell Leisens Midnight (1933) T he sixth edition of Cinema Reborn, Australia’s great festival of restorations and discoveries, will be the first to take place in two cities, running from Wednesday through May 7 at the Ritz in Sydney and from May 9 through 14 at the Lido in Melbourne.

  3. 29. Apr. 2024 · Musikjahr 1947. Der US-amerikanische Fotograf, Musikjournalist und Schriftsteller William P. Gottlieb macht in den 1940er Jahren außergewöhnliche Porträtaufnahmen zahlreicher (Jazz-)Musiker, so 1947 von Ella Fitzgerald und vielen anderen. Les Paul (um 1947) Miles Davis und Howard McGhee (1947) Thelonious Monk (1947)

  4. Vor 2 Tagen · In June 1945, she began filming Mitchell Leisen's drama To Each His Own, (1946) about an unwed mother who gives up her child for adoption and then spends the rest of her life trying to undo that decision.

  5. 9. Mai 2024 · Mitchell Leisen: 30.11.1981 1941: Die Marx Brothers im Kaufhaus: Im Kaufhaus: The Big Store Vereinigte Staaten: Charles Reisner: 30.11.1986: 1941: Roman einer Tänzerin: The Men in Her Life Vereinigte Staaten: Gregory Ratoff: 18.09.1967: 1941: Seitenstraße: Back Street Vereinigte Staaten: Robert Stevenson

  6. 3. Mai 2024 · 7:00 pm. 9:00 pm. Woodmere Art Museum. Directed by Mitchell Leisen, this romantic screwball comedy stars Carole Lombard and Fred MacMurray. A tale of unexpected love, "Hands Across the Table" tells the story of a manicurist and a playboy whose lives take an unexpected turn when they find themselves entwined in a delightful romantic escapade.

  7. 27. Apr. 2024 · Midnight was directed by Mitchell Leisen, a costume designer turned director whose long career has arguably not received the critical attention it deserves. The script is by Billy Wilder and Charles Brackett, that famous pair of complementary talents whose writing collaborations from 1938 to 1950 encompass film noir, melodrama ...