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Morricone: The Man and His Music by Ennio Morricone released in 2006. Find album reviews, track lists, credits, awards and more at AllMusic.
- The Ecstasy of Gold
- Mina – Se Telefonando
- The Group – The Feed-Back
- Joan Baez – Here’s to You
- Bambole
- Days of Heaven
- Cockeye’S Song
- Gabriel’s Oboe
- Malèna
- L’Ultima Diligenza Per Red Rock
The main theme from The Good, the Bad and the Ugly may be the best-known moment from Morricone’s spaghetti western scores – a 1968 cover by Hugo Montenegro was a transatlantic Top 10 hit – but the greatest moment is the same film’s The Ecstasy of Gold, three and a half impossibly stirring minutes of swelling orchestration, relentless galloping drum...
The most celebrated of Morricone’s diversions into pop music, at least in Italy, Se Telefonando is a perfect example of what Anglophone pop audiences missed by snootily ignoring anything not sung in English: a fantastic, epic ballad fit to take on anything that came from Bacharach and David’s pens in the same era, complete with very Morricone-esque...
Morricone’s musical roots were in the uncompromising 20th century classical compositions of Stockhausen, Berio and Boulez. You could hear their influence in the way his spaghetti western scores mixed “real” sounds – whip cracks, grunts, animals howling – with music, but it was with experimental composers collective Gruppo di Improvvisazione Nuova C...
To say Morricone came at pop music from an unusual angle is an understatement: for all its legendary status in Italy, the composition of Se Telefonando was influenced by serialism, while Here’s to You, released as a single in between Baez’s covers of The Band’s The Night They Drove Old Dixie Down and The Beatles’s Let It Be, concerned itself with t...
Some of Morricone’s giallothriller scores looked to his avant-garde classical work in order to up the fear factor – the unsettling atonal free improv of Gli Occhi Freddi Della Paura was performed by Il Gruppo – and sometimes he went in entirely the opposite direction, crafting impossibly beautiful music at odds with the film’s tenor. Sometimes he d...
Had it not been for Giorgio Moroder’s brilliant repurposing of his trademark sound for Midnight Express, Morricone’s score for Days of Heaven might have won an Oscar. Certainly, it was an integral part of the critical – if not commercial – success of Terrence Mallick’s enigmatic period drama: inspired in part by Saint-Saëns’ Le Carnaval des Animaux...
The music Morricone came up with for his final collaboration with Sergio Leone, Once Upon a Time in America, was so emotive – and indeed completed so far ahead of the film itself – that the director took to playing it on set in order to conjure up a suitable atmosphere. It’s hard to pick a single moment from the score, but the theme Morricone devis...
Speaking to the Guardian in 2001, Morricone suggested that he should have won an Oscar for his score for The Mission, pointing out that Round Midnight, the film that beat him to the award, did not feature original music. Perhaps the fact that The Mission was later voted as the greatest film score of all timeby a panel of composers ameliorated his d...
Throughout his career, Morricone developed a habit of producing scores noticeably better than the films they soundtracked: rotten Italian comedies of the 60s were gifted fabulous, experimental scores; the deranged Satanic prog rock of Magic and Ecstasy is pretty much the only thing to commend the otherwise catastrophic Exorcist II: The Heretic. The...
Morricone’s penultimate score, for The Hateful Eight, returned him to westerns – by way of Quentin Tarantino, with whom he enjoyed a turbulent relationship – and wound up re-using work from the 70s and 80s, plundering the soundtracks of horror movies The Thing and Exorcist II for suitably dark material. But Morricone’s original work for the film, w...
- 3 Min.
- Alexis Petridis
Ennio Morricone OMRI (Italian: [ˈɛnnjo morriˈkoːne]; 10 November 1928 – 6 July 2020) was an Italian composer, orchestrator, conductor, trumpeter, and pianist who wrote music in a wide range of styles.
His most famous films (other than the Italian westerns) include: The Battle of Algiers; Sacco and Vanzetti; Cinema Paradiso; The Legend of 1900, Malena; The Untouchables; Once Upon a Time in America; The Mission and U-Turn. His absolute music production includes over 100 pieces composed from 1946 to the present day.
Ennio Morricone (* 10. November 1928 in Rom; † 6. Juli 2020 ebenda) war ein italienischer Komponist, Dirigent und Oscarpreisträger. Er arbeitete auch unter den Pseudonymen Dan Savio und Leo Nichols und komponierte die Musik für mehr als 500 Filme .
The album closes with Morricone’s reinterpretation of the music of Scott Joplin and the piano rag music of Joplin’s time – Fragmented Rag. Based in part on a theme Morricone wrote for the 1974 film The Infernal Trio, the reworking of ragtime is so radical as to leave the listener to join the dots.
View credits, reviews, tracks and shop for the 2003 DVD release of "A Man And His Music" on Discogs.
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