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Mungo Martin oder Nakapenkem (Potlatch-Häuptling, mehr als zehnmaliger), auch einfach Datsa (Großvater) genannt (* 1879 (oder wenig später) in Tsax̲is (Fort Rupert), British Columbia; † 16. August 1962 in Victoria), war einer der bedeutendsten Künstler der kanadischen First Nations.
Mungo Martin. Chief Mungo Martin or Nakapenkem (lit. Potlatch chief "ten times over" ), Datsa (lit. "grandfather" ), was an important figure in Northwest Coast style art, specifically that of the Kwakwaka'wakw Aboriginal people who live in the area of British Columbia and Vancouver Island.
1. Okt. 2007 · Mungo Martin was a Kwakwaka’wakw carver and artist who helped protect Kwakwaka’wakw culture. He was a mentor to multiple prominent artists and created this building, called Wawadit’la or the Mungo Martin House. He also hosted the first Potlatch after the end of the Potlatch Ban.
26. Feb. 2024 · Mungo Martin is one of the 20th century’s most distinguished Kwakw a k a 'wakw carvers. He was born about 1881 at Tsa x is (Fort Rupert) on Vancouver Island. Following the death of Martin’s father, his mother married the gifted carver Charlie James. Under James’ tutelage, Martin developed his artistic skills along with a profound ...
Today, it is home to many diverse First Nations, Inuit, and Métis peoples. Mungo Martin was amongst the most historically significant Northwest Coast First Nations artists of the 20th century. The stepson and apprentice of renowned Kwakwaka'wakw carver Yakudlas Charlie James (1867–1938) and uncle of Ellen Neel (1916 –1966), Martin was an ...
People /. Mungo Martin. Artist, musician, composer, educator. Also known as Nakapankam or Datsa. Mungo Martin was born in 1879 in Fort Rupert, British Columbia. A member of the Kwakwaka’wakw First Nation, Martin was taught the traditional arts by his stepfather, the well-known artist Charlie James. Martin would later act as teacher to his ...
carver named Mungo Martin was hired to restore the totems for display.1 Martin was variously employed at UBC between 1949 and 1952—and then for a decade at the Provincial Museum (now Royal British Columbia Museum) in Victoria— restoring old totem poles and carving new ones,cre-ating everyday objects and ceremonial regalia, and