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    Music of Takemitsu Toru Takemitsu
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  1. Toru Takemitsu (1930–1996) was the best-known Japanese composer of his generation, bringing aspects of Eastern and Western traditions together, yet he remained something of an elusive figure. The composer's own commentaries about his music, poetic and philosophical in tone, have tended to deepen the mystery and much writing on Takemitsu to date has adopted a similar attitude, leaving many ...

  2. Toru Takemitsu (em japonês 武満 徹 Takemitsu Tōru, Tóquio, 8 de Outubro de 1930 - Tóquio, 20 de Fevereiro de 1996) foi um compositor e escritor japonês de estética e teoria musical. Carreira. Em grande parte autodidata, Takemits ...

  3. The Music of To ̄ru Takemitsu. To ̄ru Takemitsu (1930–96) was the best known Japanese composer of his generation, bringing aspects of Eastern and Western traditions together, yet he remained something of an elusive figure. The composer’s own commentaries about his music, poetic and philosophical in tone, have tended to deepen the mystery ...

  4. About This Album. The ten film scores, selected from the vast output of the Japanese film composer Toru Takemitsu, for the Nonesuch film series, "show both his uncanny ability to heighten the emotional context of a celluloid moment," said the New York Times, "and an extraordinary command of styles and resources that make the music fascinating ...

  5. The Music of Toru Takemitsu. Cambridge University Press. ISBN 0-521-78220-1. Ohtake, Noriko (1993). Creative sources for the Music of Toru Takemitsu. Scolar Press. ISBN 0-85967-954-3. Takemitsu, Toru (1995). Confronting Silence. Fallen Leaf Press. ISBN 0-914913-36-0. Legături externe. en Toru Takemitsu: Opere complete

  6. Toru Takemitsu’s November Steps. Lewis Cornwell. Art. 2002. TLDR. In November Steps (1967), biwa and shakuhachi are included as soloists along with an orchestra of Western instruments and Takemitsu’s strategies both for emphasising difference and for creating cohesion offer insights relevant to themes of human supervision and control.

  7. 14. Jan. 2020 · In analyzing Takemitsu’s music, especially his music after the 1980s,<2> the significance of the “parts” takes on more relevance than does large-scale coherence in the interpretation of his music. The importance of individual “parts” is important in many aspects of Japanese culture, including traditional Japanese gardens, Japanese language and literature, and Japanese architecture ...