Suchergebnisse
Suchergebnisse:
Unveiling the Roots of New German Cinema. The genesis of New German Cinema can be traced back to the late 1960s, a period characterized by social upheaval, political unrest, and a fervent desire for cultural renewal across Europe. In Germany, this zeitgeist manifested in a collective call from filmmakers to break away from the conventional ...
Caryl Flinn: The New German Cinema: Music, History, and the Matter of Style. University of California Press, Berkeley 2004. Norbert Grob, Hans Helmut Prinzler, Eric Rentschler (Hrsg.): Neuer Deutscher Film. Philipp Reclam jun., Stuttgart 2012, ISBN 978-3-15-019016-6. Joe Hembus, Laurens Straub: Der deutsche Film kann gar nicht besser sein ...
New German Cinema (Neuer Deutscher Film) is a period in German cinema which lasted from 1962 to 1982. It saw the emergence of a new generation of directors. Working with low budgets, and influenced by the French New Wave, such directors as Harun Farocki, Rainer Werner Fassbinder, Werner Herzog, Alexander Kluge, Ulli Lommel, Wolfgang Petersen, Volker Schlöndorff, Helma Sanders-Brahms, Werner ...
t. e. " New queer cinema " is a term first coined by the academic B. Ruby Rich in Sight & Sound [1] magazine in 1992 to define and describe a movement in queer -themed independent filmmaking in the early 1990s. It is also referred to as the "queer new wave".
German New Guinea ( German: Deutsch-Neuguinea) consisted of the northeastern part of the island of New Guinea and several nearby island groups and was the first part of the German colonial empire. The mainland part of the territory, called Kaiser-Wilhelmsland, became a German protectorate in 1884. Other island groups were added subsequently.
Hong Kong New Wave, a movement in Hong Kong film led by Tsui Hark. Philippine New Wave, also known as Filipino New Wave or Contemporary Philippine Cinema. Romanian New Wave. British New Wave. Taiwan New Wave. Thai New Wave. Toronto New Wave. New Hollywood, also known as the American New Wave. New generation (Malayalam film movement), new wave ...
Iranian New Wave (Persian: موج نوی سینمای ایران, lit. 'the new wave of Iranian cinema') refers to a movement in Iranian cinema.It started in 1964 with Hajir Darioush's second film Serpent's Skin, which was based on D.H. Lawrence's Lady Chatterley's Lover featuring Fakhri Khorvash and Jamshid Mashayekhi.
