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Berlin School is a term used for a new movement in German films that has emerged in the early 21st century. The German term Berliner Schule has been applied to a number of intimate German films that received critical acknowledgement, first in France . A circle of directors of penetrating, realistic studies of relationships and characters ...
29. Juni 2018 · Aguirre, the Wrath of God (dir. Werner Herzog, 1972) During New German Cinema’s heyday, the provocative Herzog operated — and continues to operate — on a grand scope, depicting his ...
3. Nov. 2020 · Heute ließen sich deutsche Filme wie Futur Drei (Faraz Shariat 2020), Kokon (Leonie Krippendorff 2020) und Neubau (Johannes Maria Schmitt 2020) mit dem Label eines New Queer German Cinema betiteln – worüber wir auch in Episode 91 sprechen. Diesen Filmen einer neuen Generation von Filmemacher innen sind zugängliche Erzählweisen gemeinsam ...
Margarethe von Trotta. Margarethe von Trotta ( German: [maʁɡaˈʁeːtə fɔn ˈtʁɔta] ⓘ) is a German film director, screenwriter, and actress. She has been referred to as a "leading force" of the New German Cinema movement. [1] [2] Von Trotta's extensive body of work has won awards internationally. [1] She was married to and collaborated ...
9. Juni 2021 · The new wave of German cinema began in 1962 when 24 filmmakers signed the so-called Oberhausen Manifesto. The young filmmakers aimed to make independent films that explored contemporary German ...
20. Nov. 2018 · The new cinema would reflect the radical politics of the new generation of Germans – politics that often sympathized more with the socialist regime in the east than the capitalist regime in the west. The new cinema would be critical of the West German bourgeois democracy and its discriminatory treatment of those who fell outside of traditional social norms, despite repeated claims that Nazi ...
Other articles where New German Cinema is discussed: Germany: Film of Germany: …das neue Kino, or the New German Cinema. Relying on state subsidy to subsist, the members of the movement sought to examine Germany’s unbewältige Vergangenheit, or “unassimilated past.” The New German Cinema had little commercial success outside of Germany, but it still was internationally influential. The ...