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German expressionist cinema was a part of several related creative movements in Germany in the early 20th century that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in north and central European culture in fields such as architecture , dance , painting , sculpture and cinema .
Oberhausen Manifesto. The Oberhausen Manifesto was a declaration by a group of 26 young German filmmakers at the International Short Film Festival Oberhausen, North Rhine-Westphalia on 28 February 1962. The manifesto was a call to arms to establish a "new German feature film". It was initiated by Haro Senft and among the signatories were the ...
13. Aug. 2020 · 08/13/2020 August 13, 2020. A key figure in New German Cinema, Wenders is renowned for arthouse classics such as "Paris, Texas" and "Wings of Desire" and Oscar-nominated documentaries.
Berlin School is a term used for a new movement in German films that has emerged in the early 21st century. The German term Berliner Schule has been applied to a number of intimate German films that received critical acknowledgement, first in France . A circle of directors of penetrating, realistic studies of relationships and characters ...
Kluge was one of twenty-six signatories to the Oberhausen Manifesto of 1962, which marked the launch of the New German Cinema. That same year, with filmmakers Edgar Reitz and Detlev Schleiermacher , Kluge established the Ulm Institut für Filmgestaltung at the Hochschule für Gestaltung Ulm , to promote the critical and aesthetic practices of Young German Film and the New German Cinema.
The New German Cinema, one of the most influential to emerge in the late 1960s amd early 1970s, embraced several contrasting ideological positions and included arguably the most heterogeneous array of filmmakers at work in Western Europe. Their success was owed in no small part to the economic miracle that had remade West Germany in the 1950s, to the thriving network of film festivals and ...
29. Juni 2018 · Aguirre, the Wrath of God (dir. Werner Herzog, 1972) During New German Cinema’s heyday, the provocative Herzog operated — and continues to operate — on a grand scope, depicting his ...
