Suchergebnisse
Suchergebnisse:
Vor 2 Tagen · The origins of rock and roll are complex. Rock and roll emerged as a defined musical style in the United States in the early to mid-1950s. It derived most directly from the rhythm and blues music of the 1940s, [1] which itself developed from earlier blues, the beat-heavy jump blues, boogie woogie, up-tempo jazz, and swing music.
Vor 3 Tagen · Rhythm and blues, term used for several types of postwar African-American popular music, as well as for some white rock music derived from it. Perhaps the most commonly understood meaning of the term is as a description of the sophisticated urban music that had been developing since the 1930s.
- Ed Ward
Vor 4 Tagen · Richard's raspy shouting style gave the genre one of its most identifiable and influential vocal sounds and his fusion of boogie-woogie, New Orleans R&B and gospel music blazed its rhythmic trail. Richard's emotive vocalizations and uptempo rhythmic music drove the formation of other popular music genres, including soul and funk.
Vor 2 Tagen · The main guitar ostinatos for 1969's "Ain't It Funky" and "Give It Up or Turnit a Loose", are examples of Brown's refinement of New Orleans funk; irresistibly danceable riffs, stripped down to their rhythmic essence. On both recordings, the tonal structure is bare bones. The pattern of attack points is the emphasis, not the pattern ...
Vor 4 Tagen · Joining King in the simple four-part arrangements on the T-Bone Burnett-produced album were stalwart New Orleans pianist Dr. John, ace session drummer Jim Keltner, and stand-up bassist Nathan East. The album earned King his final Grammy, for best traditional blues album.
Vor 4 Tagen · Number 3: ‘Get Rhythm’. A fine album, released in 1987, with Cooders usual ‘A’ list support including Flaco Jimenez on accordion, Jim Keltner on drums and Van Dyke Parks on keys, highlights include Cooder’s version of the Elvis classic ‘All Shook Up’, and the title track, originally recorded by Johnny Cash, but the standout track ...
Vor 4 Tagen · Sidney Bechet was a jazz musician known as a master of the soprano saxophone. Bechet began as a clarinetist at the age of six and by 1914 was a veteran who had worked in several semilegendary local bands, including those of Jack Carey and Buddy Petit. After working in New Orleans with Clarence
