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New Blood by Blood, Sweat & Tears released in 1972. Find album reviews, track lists, credits, awards and more at AllMusic.
MIRROR IMAGE is new to me, and it's surprising to hear Blood Sweat & Tears sounding so mid-70s radio-friendly. Not that this is a bad thing -- BST never intended to be a band whose albums nobody bought -- but there are less of the striking arrangements that made BST such a unique album. On the other hand, it's a fine album in itself, and ...
Arranged By [All Vocal And Instrumental Arrangements By] – Blood, Sweat & Tears* Backing Vocals [Additional] – Mike Corbett (2) Design – Ed Lee, John Berg; Drums, Backing Vocals – Bobby Colomby; Electric Bass, Acoustic Bass – Ron McClure; Electric Guitar, Classical Guitar [Spanish Guitar], Backing Vocals – George Wadenius*
Blood Sweat and Tears was born from a selfish notion that we could combine the sophistication and musical skill level of jazz music with the energy and universal appeal of rock vocal music. Instead of incessant whiny guitar interludes, we would have improvised, spontaneous jazz solos. Horn arrangements were not an afterthought, they were fully ...
La nouvelle édition de Blood, Sweat and Tears a publié New Blood en septembre 1972, qui a amené le groupe à se mouvoir plus aisément dans un répertoire plus ouvertement jazz/fusion. L'album a franchi le Top 40 des charts (le dernier album du groupe à le faire) et a engendré un single ( So Long Dixie a plafonné au numéro 44) qui s'est joué un peu à la radio.
24. Aug. 2021 · Original Blood, Sweat & Tears. Randy Brecker, Bobby Colombay, Jim Fielder, Dick Halligan, Steve Katz, Al Kooper, Fred Lipsius, and Jerry Weiss are the original members who formed the band known as Blood, Sweat & Tears. They debuted in 1967 through their performance at Cafe Au Go Go in New York City. They later signed with Columbia Records and ...
Blood, Sweat & Tears, released in January 1969, was smoother and more traditionally melodic than its predecessor. Equally important, the singles from the album were edited, removing the featured spots for the jazz players. "You've Made Me So Very Happy" rose to number two and lofted the album to the top of the LP listings.
