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  1. Niccolò Vito Piccinni, auch Piccini, auch Nicola Marcello Antonio Giacomo Piccini war ein italienischer Komponist der Klassik. Sein Hauptgebiet war die Oper.

  2. Niccolò Piccinni (Italian: [nikkoˈlɔ ppitˈtʃinni]; 16 January 1728 – 7 May 1800) was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure today, Piccinni was one of the most popular composers of opera—particularly the Neapolitan opera buffa —of the Classical period .

  3. 2. Apr. 2024 · Niccolò Piccinni was one of the outstanding opera composers of the Neapolitan school, who wrote in both the comic and the serious styles but who, in the century following his death, was chiefly remembered as the rival of Gluck. He studied in Naples, where he produced several operas. The masterpiece.

  4. Niccolò Piccinni (sometimes referred to as Nicola Piccinni or Piccini) was an Italian composer and a central figure of both Italian and French opera in the second half of the 18th century; he is considered the father of opera buffa internationally, one of the most important composers of Classicism and one of the last great representatives of the...

  5. 13. Nov. 2023 · Biography Niccolò Piccinni was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure, even to music lovers today, Piccinni was one of the most popular composers of opera — particularly the Neapolitan opera buffa — of his day.

  6. Niccolò Piccinni (born Bari, Italy, 16 January 1728; died near Paris, 7 May 1800) was an Italian composer. He wrote over 80 operas. During his life, he worked with the greatest librettists of his age, including Metastasio. Piccinni’s music is hardly ever played today, but in his day many of his operas were extremely popular.

  7. Roland ist eine Tragédie lyrique in drei Akten von Niccolò Piccinni mit einem Libretto von Jean-François Marmontel nach Philippe Quinaults Libretto zu Lullys Oper Roland, die wiederum auf dem Versepos Orlando furioso von Ludovico Ariosto basiert. Die Uraufführung fand am 27. Januar 1778 im Palais Royal der Pariser Oper statt.