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  1. 20. Jan. 2017 · Each of Designlab’s UX Academy intakes is named after someone that inspires us. January’s cohort is named after the type designer Nicolas Jenson (b. 1420, Sommevoire, France; d. 1480, Venice, Italy). Jenson was an engraver, printer, and type designer who produced and influenced some of the classics of typography we still use today. Here are ...

  2. Nicolas Jenson. Nicholas Jenson (1420–1480) (* Sommevoire, Francônia, 1420 † Veneza, 7 de Setembro de 1480 [ 1] ), foi humanista, gravador, tipógrafo e livreiro alemão, ativo em Veneza. Criou inúmeras fontes para imprimir, as quais iriam inspirar os modernos tipógrafos, particularmente na Inglaterra durante o século XIX.

  3. Le père du caractère romain: Nicolas Jenson. E VERS 1420 A SOMMEVOIRE EN CHAMPAGNE, Nicolas Jenson était graveur et directeur de la Monnaie du roi à Tour, lorsque en 1458, Charles VII « ayant sceu que Messire Guthenberg, chevalier, demourant à Mayence au païs d’Alemaigne, avoit mis en lumiere l’invencion d’imprimer par poinçons et ...

  4. Nicolas Jenson. Nicolas Jenson ( Sommevoire, circa 1430 – Venezia, 1480) è stato un tipografo e incisore di caratteri francese che lavorò a Venezia, dove fu il più importante stampatore dopo Giovanni e Vindelino da Spira e prima di Aldo Manuzio.

  5. Nicolas Jenson 2024年春夏コレクションのPOP UP STOREを開催|TOPICSのページ。TATRAS CONCEPT STOREはタトラス公式オンラインショップです。オンオフ問わず“上質で心地よい時間を過ごすこと”がTATRAS ブランドのコンセプトである“Fine & Comfortable Life”です。そのコンセプトを具現化した空間がTATRAS CONCEPT ...

  6. 17. Juni 2018 · Nicolas Jenson (1420 en Sommevoire, Francia – 1480 en Venecia) Bibliografía selecta Nicholas Jenson and the Rise of Venetian Publishing in Renaissance Europe, de Martin Lowry (Blackwell Publishers. Abril de 1991) Entre los muchos impresores establecidos, en su mayoría alemanes, destacamos muy especialmente la figura del francés Nicolas Jenson

  7. Nicolas Jenson (both: nēkôlä´ zhäNsôN´), d. c.1480, Venetian printer, b. France. Jenson studied printing with Gutenberg at Mainz for three years. He was one of the first to design roman type, which was far superior in beauty and alignment of characters to that of John of Speyer.