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  1. Norman Jesse Whitfield (* 12. Mai 1941 in Harlem / New York; † 16. September 2008 in Los Angeles) war ein US-amerikanischer Soul / Rhythm-and-Blues - Produzent und Songwriter, der vor allem durch seine Arbeit für Berry Gordys Motown -Label in den 1960er und 1970er Jahren bekannt wurde.

  2. Norman Jesse Whitfield (May 12, 1940 – September 16, 2008) was an American songwriter and producer, who worked with Berry Gordy's Motown labels during the 1960s. He has been credited as one of the creators of the Motown Sound and of the late-1960s subgenre of psychedelic soul .

  3. This is a list of songs written by Norman Whitfield, either as a sole writer or with others Chart hits and other notable songs written by Norman Whitfield

    Year
    Song [1]
    Original Artist [1]
    Co-writer (s) With Whitfield [1]
    1962
    Marvin Gaye, William "Mickey" Stevenson
    1962
    Marvin Gaye
    Marvin Gaye, Barrett Strong
    1964
    "The Girl's Alright with Me"
    Eddie Holland Jr., Eddie Kendricks
    1964
    "Girl (Why You Wanna Make Me Blue)"
    The Temptations
    Eddie Holland Jr.
  4. 18. Sept. 2008 · Norman Whitfield, a Grammy-winning songwriter, producer and arranger for Motown Records whose many hits, including the signature song “I Heard It Through the Grapevine,” helped solidify the...

  5. Norman Whitfield " War " is a counterculture -era soul song written by Norman Whitfield and Barrett Strong for the Motown label in 1969. Whitfield first produced the song – a self-evident anti-Vietnam War statement – with The Temptations as the original vocalists.

    • 3:11
    • March 6, 1970
  6. Papa Was a Rollin’ Stone (Papa war ein Herumtreiber) ist der Titel eines Soulsongs, der im Jahr 1971 von den Tamla-Motown-Songschreibern Norman Whitfield und Barrett Strong verfasst wurde und im Original von der Motown-Gruppe The Undisputed Truth stammt.

  7. Masterpiece is a 1973 album by The Temptations for the Gordy ( Motown) label, produced and written by Norman Whitfield . Overview. The title refers to the album being not the group's intended masterpiece, but Norman Whitfield's.