Suchergebnisse
Suchergebnisse:
Omar Hakim (born February 12, 1959) is an American drummer, producer, arranger and composer. His session work covers jazz , jazz fusion , and pop music . He has worked with Weather Report , David Bowie , Foo Fighters , Chic , Sting , Madonna , Dire Straits , Bryan Ferry , Journey , Kate Bush , George Benson , Miles Davis , Daft Punk , Mariah Carey , The Pussycat Dolls , David Lee Roth , and ...
From an early age, Omar Hakim’s affinity for rhythm was evident. He began playing the drums at the tender age of five and soon found himself performing in hi...
Drums – Omar Hakim. Percussion – Don Alias. Synthesizer – Jim Beard. Tenor Saxophone – Michael Brecker. Written-By – Brecker* 5:35: 5: Peep. Acoustic Bass – Jay Anderson. Drums – Adam Nussbaum. Electric Bass – Victor Bailey. Guitar – Jo ...
Hakim spielte als Schlagzeuger u. a. bei Joe Zawinuls Weather Report und für Sting. Er spielte auch für David Bowie sowie für die Dire Straits auf ihrem Millionenseller Brothers in Arms . Als renommierter Nutzer elektronischer Drum-Sets ( Roland ), für die er weltweit Werbetouren machte, konnte er sich auch ein Engagement bei den Pop-Diven Madonna , Mariah Carey und Céline Dion sichern.
1. Jan. 2015 · After Now You See It, Brecker placed his solo career on temporary hiatus for the Brecker Brothers reunion of the early-to-mid-'90s. When he returned he turfed all the electronics for largely acoustic sessions like the seminal Tales from the Hudson (Impulse!, 1996) and one of the most impressive—and remarkable, given his condition—swan songs ...
View credits, reviews, tracks and shop for the 1990 Vinyl release of "Now You See It... (Now You Don't)" on Discogs. ... Drums – Omar Hakim. Percussion – Don Alias. Synthesizer – Jim Beard. Tenor Saxophone – Michael Brecker. Bass – Victor Baile ...
Now You See It…. (Now You Don't) was released by GRP Records. [2] AllMusic awarded the album 4 stars and its review by Scott Yanow states: "Most of the originals (either by Brecker, Beard, or producer Don Grolnick) project moods rather than feature strong melodies, but Michael Brecker's often-raging tenor makes the most of each opportunity". [3]
