1963
Suchergebnisse
Suchergebnisse:
Plot. References. External links. Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad: A Pseudoclassical Tragifarce in a Bastard French Tradition was the first play written by Arthur Kopit . Background. Kopit was on a postgraduate scholarship from Harvard University when he entered the play in a playwriting contest.
- Arthur L. Kopit
- 1963
- 1960
- English
Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad: Directed by Richard Quine, Alexander Mackendrick. With Rosalind Russell, Robert Morse, Barbara Harris, Hugh Griffith. A domineering mother and her sheltered son fly face first into love, murder, and the meaning of family in this black comedy based on Arthur Kopit's ...
- Richard Quine, Alexander Mackendrick
- 3 Min.
27. Dez. 2021 · Oh, Dad, poor Dad, Mamma's hung you in the closet and I'm feelin' so sad : a pseudoclassical tragifarce in a bastard French tradition : Kopit, Arthur, 1937-2021, author : Free Download, Borrow, and Streaming : Internet Archive.
Plot. Described by Kopit as a "farce in three scenes", the story involves an overbearing mother who travels to a luxury resort in the Caribbean, bringing along her son and her deceased husband, preserved and in his casket. Cast. Rosalind Russell as Madame Rosepettle. Robert Morse as Jonathan. Barbara Harris as Rosalie.
- Ian Bernard
9. Mai 2024 · Arthur Kopit, American playwright best known for Oh Dad, Poor Dad, Mama’s Hung You in the Closet and I’m Feelin’ So Sad (1960). He was known for his ease with language, his impressive theatricality, and his skewering of American popular culture. Learn more about Kopit’s life and career.
- The Editors of Encyclopaedia Britannica
Wealthy Madame Rosepettle (Rosalind Russell) and 25-year-old Jonathan (Robert Morse) arrive at the Port Royal Hotel on a tiny Caribbean island with the man of the family in tow, literally; he's...
In his most notorious work, Oh Dad, Poor Dad, Mamma’s Hung You in the Closet and I’m Feelin’ So Sad, the title is ultimately the most revealing part of the play, since it sums up this author’s major characteristics: his Oedipal fixation, his hatred of maternal women, his skittishness, his black humor, and, especially, his nostalgia for ...
