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23. Aug. 2021 · Oja Kodar in F for Fake (1973) One of the more memorable moments in F for Fake (Orson Welles, 1973) has seemingly little to do with the main plot about Elmyr de Hory and art forgeries. Toward the beginning of the film, Oja Kodar walks along the street in a mini-dress, and a slew of men ogle her as she passes. “Girl watching,” Orson Welles ...
Naravno, zbližili su se i ostali zajedno idućih 20 godina. Iako nikad nije išao na njezine izložbe, a Oja je izlagala po svim europskim i svjetskim metropolama, od Amsterdama i Rima do New Yorka i Los Anglesa, ona je njega pratila i asistirala mu na filmu. Za njezin pseudonim Oja Kodar zaslužan je upravo Orson Welles.
2. Nov. 2018 · The Other Side of the Wind: Directed by Orson Welles. With John Huston, Oja Kodar, Peter Bogdanovich, Susan Strasberg. At a media-swamped party to celebrate his 70th birthday and screen his avant-garde film-in-progress, a legendary but jaded Hollywood director is faced both with voracious fans and unsettling questions about what became of his lead actor.
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26. Sept. 2018 · In 2014, the Times reported that an agreement had been reached with various rights-holders, who included Welles’s daughter Beatrice; his companion, Oja Kodar; and the estate of the brother-in ...
Oji Kodar kći slavnog redatelja posvetila je 16 stranica svoje knjige, cijelo 13. poglavlje pod nazivom “Meeting Oja Kodar”. Sentimentalan je to znak iznimne privrženosti tih dviju žena, Wellesove životne suputnice iz Primoštena i redateljeve kćeri, četiri godine starije od očeve najveće životne ljubavi.
26. Sept. 2018 · Many have suggested that Hannaford’s Other Side of the Wind is Welles’s jab at Zabriskie Point, and yet, as Robert Abele observes at TheWrap: “Even when Welles is in parody mode—turning loose a majestically nude, dusky-hued Oja Kodar (credited as Wind co-screenwriter) and boyish hunk Bob Random in stark, color-saturated and surface-reflective urban landscapes straight out of Antonioni ...
U šestom nastavku donosimo priču o velikom Orsonu Wellesu i njegovoj četvrtoj ženi, glumici Oji Kodar. Početkom šezdesetih godina zagrebački tjednik Globus (nije imao nikakve veze s istoimenim zagrebačkim tjednikom koji je počeo izlaziti krajem 1990., a objavljuje se i danas) predstavio je mlade glumice od kojih se mnogo očekivalo.
