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Oja Kodar ( Zagreb, 1941. ), hrvatska glumica, scenaristica, redateljica i kiparica, najpoznatija kao ljubavnica, muza i suradnica Orsona Wellsa. [1] Rođena je kao Olga Palinkaš u Zagreba u obitelji oca Mađara i majke Hrvatice. Wellsa je upoznala 1961. godine u Zagrebu na snimanju prizora za njegov film Proces.
Oja Kodar (/ ˈ ɔɪ. ə ˈ k oʊ d ɑr / oy-Ə-_-KOH-dar, născută ca Olga Palinkaš, n. 1941 , Zagreb , Regatul Iugoslaviei ) este o actriță croată , scenaristă și regizoare de film . Este cel mai bine cunoscută ca partenera lui Orson Welles în ultimii ani de viață ai regizorului american.
Oja Kodar (/ˈɔɪ.ə ˈkoʊdɑːr/ OY-ə KOH-dar; born Olga Palinkaš; 1941) is a Croatian actress, screenwriter and director known as Orson Welles's partner during the later years of his life. Description above from the Wikipedia article Oja Kodar, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Oja Kodar ( OY-ə KOH-dar; born Olga Palinkaš; 1941) is a Croatian actress, screenwriter and director known as Orson Welles's romantic partner during the later years of his life. Read more on Wikipedia. Since 2007, the English Wikipedia page of Oja Kodar has received more than 1,248,121 page views. Her biography is available in 19 different ...
The Orson Welles – Oja Kodar Papers includes scripts, production documents, photographs, and other materials from Orson Welles's work in film and other media. General correspondence, topical files, papers related to Oja Kodar, and personal materials also make up a portion of collection. The bulk of the papers date from the 1960s to the 1980s with a smaller amount of material from the 1930s ...
Oja Kodar was born Olga Palinkaš, in 1941, in Zagreb, the capital city of Croatia, to a Hungarian father and a Croatian mother. In 1966, Kodar and her lover, American filmmaker Orson Welles, began shooting 'The Deep' on the Yugoslav coast. He had cast her in one of the lead roles in the project.
4. Mai 2018 · He was producing independent films in Europe when he learned about Kodar. “I was told by a German gallerist that Oja—and at that point I had no idea who Oja was—controlled the rights to ...
