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  1. www.mossfad.jp › soul › Art_JohnnyOtisJohnny Otis - mossfad

    The Watts Breakaway - Johnny Otis Show. 関連アーティスト Esther Phillips / FROM A WHISPER TO A SCREAM, 1971; Etta James / TELL MAMA, 1968; Jackie Wilson / HIGHER AND HIGHER, 1967; Preston Love / OMAHA BAR-B-Q, 1970; Shuggie Otis / INSPIRATION INF ...

  2. Esther Mae Jones. Profile: Esther Phillips was an American soul and rhythm & blues singer (December 23, 1935, Galveston, Texas - August 7, 1984 in Carson, California). She was an influence on many other artists including Aretha Franklin. She was already a mature singer at age fourteen, and won the amateur talent contest in 1949 at the ...

  3. MISERY. (Savoy 735; March, 1950) A superb acting job by Esther who manages to elicit sympathy without expecting pity for her loneliness while Lorenzo Holden’s sax and Johnny Otis’s ethereal vibes provide the perfect mood to highlight this emotional – yet still hopeful – track. (8) MEAN OLE GAL.

  4. Esther Phillips, de son vrai nom Esther Mae Jones, est une chanteuse américaine de rythm'n'blues, de soul music et de jazz, née le 23 décembre 1935 à Galveston (Texas) Esther Phillips s'est produite à ses débuts, à partir de 1949, sous le nom de Little Esther, au sein de l'orchestre de Johnny Otis.

  5. View credits, reviews, tracks and shop for the 1993 CD release of "The Johnny Otis Show Live At Monterey!" on Discogs.

  6. 17. Jan. 2012 · Johnny Otis (born Ioannis Alexandres Veliotes; December 28, 1921 – January 17, 2012) was an American singer, musician, composer, arranger, bandleader, talent scout, disc jockey, record producer, television show host, artist, author, journalist, minister, and impresario. A seminal influence on American R&B and rock and roll, Otis discovered artists such as Little Esther, Big Mama Thornton ...

  7. "Double Crossing Blues" was the debut single for Little Esther, who was then fourteen years old, making her the youngest female singer to have a number-one single on the R&B chart. The original Savoy record label showed Otis as the writer, but the actual composer, Jessie Mae Robinson , sued, won an out-of-court settlement in March 1950, and copyrighted the song under her name.