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Vor 4 Tagen · In 1919, Ory moved to California and formed Kid Ory’s Creole Orchestra. In 1922, the orchestra recorded “Ory’s Creole Trombone, ” commonly referred to as the first jazz recording by Black musicians from New Orleans. In 2005, the Library of Congress
25. Apr. 2024 · Kid Ory – Kid Ory’s Creole Jazz Band 1954 (1991) Kid Ory & The Creole Jazz Band – Echoes From New Orleans (1956/1996) Peter Bocage With His Creole Serenaders / Peter Bocage And The Love-Jiles Ragtime Orchestra – Peter Bocage With His Creole Serenaders And The Love-Jiles Ragtime Orchestra (1961/1994) Jack Teagarden – Father Of Jazz Trombone (2004) Lawrence Brown – Slide Trombone ...
18. Apr. 2024 · LOUIS ARMSTRONG AND HIS HOT FIVE0:00 Hotter Than That (Hardin)3:05 Ory's Creole Trombone (Ory)
Vor 5 Tagen · Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the Creole Jazz Band [als; fr]. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. He moved to New York City, where he became a featured and musically influential band soloist and recording artist. By the 1950s, he was a ...
27. Apr. 2024 · Artist: Kid Ory & Creole Jazz Band Album: The Legendary Kid Genre: New Orleans Jazz Label: Good Time Jazz Records Year Of Release: 1956 Format: FLAC (image+.cue) Tracklist: Mahogany Hall Stomp (Williams) 2:52 Sugar Blues (Fletcher, Williams) 4:54 At a Georgia Camp Meeting (Mills) 3:11 Snag It (King Oliver) 5:06 There’ll Be Some Changes Made (Higgins, Overstreet) 4:16 At the Jazz Band Ball ...
23. Apr. 2024 · High SocietyKid Ory's Creole Jazz Band 10-inch Aircheck Acetate DiscMutt Carey(tp); Kid Ory(tb); Jimmie Noone(cl); Buster Wilson(p); Bud Scott(g); Ed Garland...
- 3 Min.
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- Hot Jazz 78rpms
2. Mai 2024 · Kid Ory and his Sunshine Orchestra record "Ory's Creole Trombone" and "Society Blues". These are the first instrumental jazz recording of an African-American group, [61] and marks the beginning of the record industry focusing on "the instrumental ensemble as a source of entertainment in its own right rather than as accompaniment for singers".