Suchergebnisse
Suchergebnisse:
Koyaanisqatsi ist ein Experimentalfilm und der erste Teil der Qatsi-Trilogie von Godfrey Reggio, der sich mit dem Eingriff des Menschen in die Natur und generell zivilisationskritisch mit der menschlichen Lebensweise beschäftigt. Angeregt zu dem Film wurde Reggio durch die Philosophie von Leopold Kohr. Der fertige Film wurde erstmals am 5 ...
24. Aug. 1983 · Koyaanisqatsi: Directed by Godfrey Reggio. With Edward Asner, Pat Benatar, Jerry Brown, Johnny Carson. A collection of expertly photographed phenomena with no conventional plot. The footage focuses on the relationship between nature, humanity, and technology.
- Godfrey Reggio
- 236
- 2 Min.
In the Hopi language, the word koyaanisqatsi means "life out of balance". It is the first film in The Qatsi Trilogy, which was followed by Powaqqatsi (1988) and Naqoyqatsi (2002). The trilogy depicts different aspects of the relationship between humans, nature and technology.
- $3.2 million
- Godfrey Reggio
- Godfrey Reggio
- Philip Glass
28. Apr. 1982 · Koyaanisqatsi is an experimental film produced and directed by Godfrey Reggio that looks at the relationship between nature and humanity. It focuses on stunning cinematography and has neither dialog nor narration. Instead, it is backed by music composed by Philip Glass to set the tone.
- 83 Min.
DOKUMENTARFILM: USA, 1982. Regie: Godfrey Reggio. Darsteller: - STORY: Der erste Teil Qatsi-Trilogie von Godfrey Reggio, in dem es um das Eingreifen des Menschen in die Natur und um das Leben in der Zivilisationsgesellschaft geht. KRITIK: Wo anfangen? Und vor allem wie?
Through this the film conveys its key message, which is Koyaanisqatsi: life out of balance; crazy life; life in turmoil; life disintegrating; a state of life that calls for another way of living. — Andrew M. Somers <film@myndex.com>. This movie was designed to have no plot.
Koyaanisqatsi, Reggio’s debut as a film director and producer, is the first film of the QATSI trilogy. The title is a Hopi Indian word meaning “life out of balance.” Created between 1975 and 1982, the film is an apocalyptic vision of the collision of two different worlds — urban life and technology versus the environment. The musical ...
