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1. Mai 2024 · In their early days, soundman Owsley "Bear" Stanley designed a public address (PA) and monitor system for them. Stanley was the Grateful Dead's soundman for many years; he was also one of the largest suppliers of LSD. Stanley's sound systems were delicate and finicky, and frequently brought shows to a halt with technical breakdowns. After ...
Vor 3 Tagen · Sir Oswald Ernald Mosley, 6th Baronet (16 November 1896 – 3 December 1980) was a British aristocrat and politician who rose to fame during the 1920s and 1930s when, having become disillusioned with mainstream politics, he turned to fascism. He was a member of parliament and later founded and led the British Union of Fascists (BUF). [1] [2]
25. Apr. 2024 · Während einer dieser Sessions traf Owsley Stanley, einer der ersten LSD Produzenten der 60er Jahre auf die Band. Er fing an, sie finanziell zu unterstützen und wurde ihr Tontechniker. Der Einfluss von Stanley und seinem hochreinen LSD hat die damalige Gegenkultur massiv geprägt.
25. Apr. 2024 · The story of “Kid Charlemagne” is inspired by the real-life story of a man named Owsley Stanley. Stanley was a chemist and an audio technician for The Grateful Dead and other bands in the 1960s. But he was also known to manufacture and distribute LSD, earning him the nickname “the king of acid.”
Vor 2 Tagen · It is cool how The Grateful Dead pretty much invented modern stadium sound systems. Cool little write up on some of the history of that. “A vision during an LSD trip is what inspired Owsley “Bear” Stanley, the Grateful Dead’s sound engineer’s mammoth feat of technical engineering, “The Wall of Sound”, irreversibly changing live sound and engineering for the better.
Vor 5 Tagen · The first major underground LSD factory was established by Owsley Stanley. Around this time, the Merry Pranksters , associated with novelist Ken Kesey , organized the Acid Tests , events in San Francisco involving LSD consumption, accompanied by light shows and improvised music.
17. Apr. 2024 · The band was gleefully at the controls as they produced the effort with their own engineers, tellingly including LSD chemist Owsley Stanley. “St. Stephen” starts the album merrily with an irreverent rocker about the Christian martyr. Its lulled, xylophone-tinged bridge surrenders to a raucous staccato jam that bookends the last verse of ...
