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Professional ratings. Let There Be Funk: The Best Of Patrice Rushen is a compilation album by jazz artist Patrice Rushen. [3] Released in 1980, it compiled tracks from her first three albums with Prestige Records. It included all eight tracks from her 1977 album Shout It Out plus one track each from Prelusion and Before the Dawn .
Allmusic. [1] The Meeting is the first album release from a collaboration of musicians R&B keyboardist/singer Patrice Rushen, saxophonist Ernie Watts, bassist Alphonso Johnson and drummer Leon "Ndugu" Chancler. The recording was the end product of several years of live interaction between the four, often backing other artists. [1]
Fastlove. " Fastlove " is a song by English singer-songwriter George Michael, released on 22 April 1996 by Virgin Records in the United Kingdom and by DreamWorks Records in the United States as the second single from his third album, Older (1996). Written by Michael, Patrice Rushen, Freddie Washington and Terri McFaddin and produced by Michael ...
American jazz pianist and R&B singer. This page was last edited on 12 April 2024, at 20:43. All structured data from the main, Property, Lexeme, and EntitySchema namespaces is available under the Creative Commons CC0 License; text in the other namespaces is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.
It should only contain pages that are Patrice Rushen albums or lists of Patrice Rushen albums, as well as subcategories containing those things (themselves set categories). Topics about Patrice Rushen albums in general should be placed in relevant topic categories .
Anything but Ordinary is the eleventh album by R&B singer Patrice Rushen, released on November 1, 1994. After her contract with Elektra Records expired in 1986–87, Rushen moved to Arista Records and afterwards in 1993, Patrice signed with Disney's Hollywood Records. Anything but Ordinary was first and only album to be released under her contract.
The song was released by Columbia Records on June 3, 1997, as the lead single from both the soundtrack and Smith's debut solo album, Big Willie Style (1997), and it was Smith's first solo single following his work with DJ Jazzy Jeff . The song is heard during the film's closing credits, and heavily samples "Forget Me Nots" by Patrice Rushen.
