Entdecken tausende Produkte. Lesen Kundenbewertungen und finde Bestseller. Erhalten auf Amazon Angebote für philadelphia sound im Bereich MP3 Downloads
- Jetzt kaufen
Ihre Vorteile im Überblick
Nur bei Amazon
- Kostenlose Lieferung
Bestellen Sie jetzt und
erhalten Sie kostenlose Lieferung.
- Jetzt kaufen
Suchergebnisse
Suchergebnisse:
Vor 5 Tagen · "You've Lost That Lovin' Feelin '" is a song by Phil Spector, Barry Mann, and Cynthia Weil, first recorded in 1964 by the American vocal duo the Righteous Brothers. This version, produced by Spector, is cited by some music critics as the ultimate expression and illustration of his Wall of Sound recording technique.
- "There's a Woman"
- November 1964
- September 26, 1964
- Gold Star, Hollywood
- Why Is Pet Sounds So Important?
- Where Were The Beach Boys in Their Career at The time?
- What’s The Concept Behind The Album?
- How and When Did The Album Get written?
- What Influences Shaped The Album?
- What Does Pet Sounds Sound like?
- Which Musicians Contributed to Pet Sounds Besides The Beach Boys?
- What Did The Other Beach Boys Contribute to Pet sounds?
- How Did The Album Get Its Title?
- Why Was It Mixed in Mono?
Quite simply, Pet Soundsushered in a new approach to album making that revolutionized popular music. It was shaped by the musical sensibilities of songwriter/producer Brian Wilson, whose collection of carefully crafted pocket pop symphonies was unlike anything the Beach Boys – or any band for that matter – had done before. It brought about seismic ...
Pet Sounds was the band’s 12th album in the space of five, hectic, and intensely productive, years. It followed in the wake of Beach Boys Party!, the group’s 1965 album of covers that included their memorable hit version of doo-wop group The Regents’ “Barbara Ann.” That particular record’s sound was minimalist in comparison with the grandiose sonic...
“If you take the Pet Sounds album as a collection of art pieces, each designed to stand alone, yet which belong together, you’ll see what I was aiming at,” said Brian Wilson in 2010. Pet Soundsis cited as an example of one of pop/rock’s first bona fide concept albums because of its unity of purpose and mood as well as the way its 13 songs interconn...
Brian Wilson began writing the material for the album alongside a new collaborator, lyricist Tony Asher, when the rest of The Beach Boys were performing in Japan and Hawaii in January 1966. (Wilson, a nervous flyer, had quit touring with the band a year earlier). One of the tracks that ended up on the album – “Sloop John B.,” an adaptation of a tra...
Producer Phil Spector, famed for his signature “wall of sound” approach to making records, had a profound impact on Brian Wilson’s production style and directly influenced Pet Sounds‘ multi-layered recording technique as well as its cavernous reverb effects. Another, perhaps bigger, influence on Pet Sounds was The Beatles‘ groundbreaking Rubber Sou...
Pet Soundsreframed the Beach Boys’ most distinctive musical signature – their complex, layered vocal harmonies – against a widescreen musical backdrop where elements from pop, classical music, folk, psychedelia, easy listening, and jazz intermingled. Its instrumentation was kaleidoscopic; ranging from pounding classical timpani drums and tinkling b...
In terms of instrumentation, The Beach Boys contributed less to Pet Sounds than any of their previous albums. Although their intricate, soaring vocal harmonies were ever-present, the chugging electric guitars that had defined some of their earlier classics were notably absent. Under Brian Wilson’s direction, the band took a back seat to The Wreckin...
Understandably, Brian Wilson has received much of the acclaim over the years because it was his singular artistic vision that brought Pet Soundsto life. That said, the contributions of the rest of the band shouldn’t be overlooked. Besides contributing The Beach Boys’ trademark golden harmonies, some of them also sang lead vocals: Carl Wilson fronte...
According to Brian Wilson, the group had decided to call the album Pet Sounds before they visited San Diego Zoo for the cover photoshoot. He says the title was inspired by three things; his two dogs, whose barks were recorded and used as effects at the end of “Caroline (No)”; Phil Spector (whose initials were the same as Pet Sounds); and the idea t...
As a youngster, Brian Wilson took a blow to the head from a child wielding a lead pipe. It resulted in 98% deafness in his right ear. As a consequence, Wilson was unable to process sounds in stereo, which accounts for Pet Soundsbeing mixed and released in a monaural configuration. Also, the album’s monophonic presentation was not deemed unusual whe...
Vor 5 Tagen · Co-producer Phil Spector employed his Wall of Sound production technique to notable effect; Ben Gerson of Rolling Stone described the sound as " Wagnerian, Brucknerian, the music of mountain tops and vast horizons". [2] .
Vor einem Tag · Beatles historian Bruce Spizer writes that this was due to Harrison being "so focused on the feel of his record", while Record Collector editor Peter Doggett wrote in 2001 that, despite Harrison's inspiration for "My Sweet Lord" having come from "Oh Happy Day", "in the hands of producer and arranger Phil Spector, it came out as a carbon copy of the Chiffons' [song]".
24. Apr. 2024 · Phil Spector’s wall of sound technique, which combined multiple instruments and voices to create a lush, dramatic sound, was groundbreaking in its time. The production emphasizes the emotion found in the lyrics, making them more powerful and relatable. The Legacy of “You’ve Lost That Lovin’ Feeling”
Vor 2 Tagen · — Brian Wilson Released in March 1965, The Beach Boys Today! marked the first time the group experimented with the "album-as-art" form. The tracks on side one feature an uptempo sound that contrasts side two, which consists mostly of emotional ballads. Music writer Scott Schinder referenced its "suite-like structure" as an early example of the rock album format being used to make a cohesive ...
8. Mai 2024 · And they did all of that in just over seven years. That seven-year chapter in the music history books came to a close, officially, with Let It Be, released on May 8th, 1970—54 years ago today ...
