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  1. Among these writers, Don Heckman of The New York Times predicted that "My Sweet Lord" / "Isn't It a Pity" would soon top the US charts, and he outlined his "complex" reaction to being presented with a sequence of Harrison songs for the first time: "amazement at the range of Harrison's talents; fascination at the effects of Phil Spector's participation as the album's producer; curiosity about ...

  2. In The Cambridge Companion to the Beatles, Michael Frontani describes it as Harrison's "supreme warning about maya", adding that his and Barham's attention to the orchestral arrangement on this and other songs was arguably more significant for the sound of All Things Must Pass than Spector's Wall of Sound aesthetic. Further to Harrison's standing as the most spiritually focused Beatle ...

  3. The album is noted to resemble Phil Spector's Wall of Sound. ... In a retrospective review for Rolling Stone in 2010, Douglas Wolk gave the album four-and-a-half out of five stars and referred to it as "an unlikely marvel, a desperately ...

  4. Beatles historian Bruce Spizer writes that this was due to Harrison being "so focused on the feel of his record", while Record Collector editor Peter Doggett wrote in 2001 that, despite Harrison's inspiration for "My Sweet Lord" having come from "Oh Happy Day", "in the hands of producer and arranger Phil Spector, it came out as a carbon copy of the Chiffons' [song]".

  5. The Walkers' 1960s sound mixes Phil Spector's "wall of sound" techniques with symphonic orchestrations featuring Britain's top musicians and arrangers, notably Ivor Raymonde. Scott served as effective co-producer of the band's records throughout this period (alongside their named producer, Johnny Franz and engineer Peter Oliff ), later described as a "parallel, if invisible Walker Brothers."

  6. Master of Puppets is the third studio album by the American heavy metal band Metallica, released on March 3, 1986, by Elektra Records. Recorded in Denmark at Sweet Silence Studios with producer Flemming Rasmussen, it was the band's last album to feature bassist Cliff Burton, who died in a bus accident in Sweden during the album's promotional tour.

  7. › wiki › Eddie_HohEddie Hoh - Wikipedia

    Hoh with the MFQ and Phil Spector at Gold Star Studios in 1965 (from left to right): Faryar, Yester, Douglas, Spector, Diltz, Hoh. In September 1965, Hoh joined members of the Modern Folk Quartet as the group was venturing into electric folk rock . [3]